A director of photography in his native Italy since 1954, Carlo DiPalma was virtually unknown until his lavish color work on director Michelangelo Antonioni's Red Desert (1966). Then came Blow-Up (1968), Antonioni's biggest commercial success and one of the finest (and most often imitated) photographic achievements of the last 40 years, bar none. DiPalma continued contributing superior camerawork for other...
