How long is The Metropolitan Opera: Le Comte Ory?

The Metropolitan Opera: Le Comte Ory is 3 hr 20 min long.

What is The Metropolitan Opera: Le Comte Ory about?

NCM Fathom brings the fifth season of the Metropolitan Opera’s Peabody and Emmy Award-winning series The Met: Live in HD in movie theaters nationwide. The broadcast of Rossini’s opera Le Comte Ory will be presented live for only one day on Saturday, April 9, 2011 at 1 PM ET / 10 AM PT in select movie theaters. Rossini’s vocally dazzling comedy stars bel canto sensation Juan Diego Flórez in the title role of this Met premiere production. He vies with mezzo-soprano Joyce DiDonato, in the trouser role of Isolier, for the love of the lonely Countess Adèle, sung by soprano Diana Damrau. Bartlett Sher, director of the Met’s hit productions of The Barber of Seville and The Tales of Hoffmann, describes the world of the opera as, “a place where love is dangerous. People get hurt. That can be very funny and very painful. Rossini captures both—with the most beautiful love music Rossini ever wrote.”

The Metropolitan Opera: Le Comte Ory

Name: The Metropolitan Opera: Le Comte Ory
Genre: Concert/Special Events
Released: 2011-04-09
Duration: 200

NR 3 hr 20 min

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Frequently Asked Questions

How long is The Metropolitan Opera: Le Comte Ory?: The Metropolitan Opera: Le Comte Ory is 3 hr 20 min long.

What is The Metropolitan Opera: Le Comte Ory about?: NCM Fathom brings the fifth season of the Metropolitan Opera’s Peabody and Emmy Award-winning series The Met: Live in HD in movie theaters nationwide. The broadcast of Rossini’s opera Le Comte Ory will be presented live for only one day on Saturday, April 9, 2011 at 1 PM ET / 10 AM PT in select movie theaters. Rossini’s vocally dazzling comedy stars bel canto sensation Juan Diego Flórez in the title role of this Met premiere production. He vies with mezzo-soprano Joyce DiDonato, in the trouser role of Isolier, for the love of the lonely Countess Adèle, sung by soprano Diana Damrau. Bartlett Sher, director of the Met’s hit productions of The Barber of Seville and The Tales of Hoffmann, describes the world of the opera as, “a place where love is dangerous. People get hurt. That can be very funny and very painful. Rossini captures both—with the most beautiful love music Rossini ever wrote.”