Composer Anton Karas didn't so much break into films as much as find himself pushed when he was performing in a tavern one night and filmmaker Carol Reed happened to stop in. Liking Kara's unaccompanied zither playing very much, Reed insisted that Karas compose the theme music for his newest film The Third Man. Karas accepted, and both his music...
Composer Anton Karas didn't so much break into films as much as find himself pushed when he was performing in a tavern one night and filmmaker Carol Reed happened to stop in. Liking Kara's unaccompanied zither playing very much, Reed insisted that Karas compose the theme music for his newest film The Third Man. Karas accepted, and both his music...
