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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
We Own the Night is defiantly, refreshingly unhip. Read full review
The movie really belongs to Phoenix, who gives a haunting performance with just the right degree of intensity. Read full review
This is an atmospheric, intense film, well acted, and when it's working it has a real urgency. Read full review
Phoenix is an arresting presence on screen, but don't expect any "Departed"-esque fast talk from Wahlberg, who is oddly inert in a role that should crackle with brotherly ambivalence. Read full review
Adequately acted and flecked with the required quota of action to satisfy genre fans, pic recalls numerous good police dramas of the 1970s, but mostly in superficial ways that bring nothing new to the table. Read full review
The story is too patterned and too contrived. Read full review
A more accomplished film than "Yards." Yet it will fail to satisfy police movie buffs, as procedures are de-emphasized, and the drama is too perfunctory and obvious. Read full review
It's a bare-knuckled crime drama set in 1988 that stylistically could have been made that year and emphasizes Gray's strengths as a director while drawing attention to his limitations as a writer. Read full review
Things are a little off. The style is gritty 1970s-style crime thriller, but the morals are straight out of 2007, and the movie is set in 1988. Read full review
The problem with We Own the Night is that it mistakes sentiment for profundity, and takes its ideas about character and fate more seriously than it takes its characters and their particular fates. "I feel light as a feather," Bobby says in a crucial scene, at which point the movie starts to sink like a stone. Read full review
3.5
Dave White Profile
tense, violent, soaking in mood. Read full review