100

Boston Globe

By Ty Burr
The best American film of the year to date.
Full Review
100

Rolling Stone

By Peter Travers
You leave WALL-E with a feeling of the rarest kind: that you've just enjoyed a close encounter with an enduring classic.
Full Review
100

The Hollywood Reporter

By Kirk Honeycutt
The visual design of Wall-E is arguably Pixar's best. Stanton, who wrote the script with Jim Reardon from a story he concocted with Peter Docter, creates two fantastically imaginative, breathtakingly lit worlds.
Full Review
100

USA Today

By Claudia Puig
At once futuristic, funny and fantastical.
Full Review
100

Entertainment Weekly

By Owen Gleiberman
It whisks you to another world, then makes it every inch our own.
Full Review
100

Wall Street Journal

By Joe Morgenstern
The first half hour of WALL-E is essentially wordless, and left me speechless. This magnificent animated feature from Pixar starts on such a high plane of aspiration, and achievement, that you wonder whether the wonder can be sustained. But yes, it can.
Full Review
90

NPR

By Bob Mondello
The first hour of Wall-E is a crazily inventive, deliriously engaging and almost wordless silent comedy of the sort that Charlie Chaplin and Buster Keaton used to make.
Full Review
80

New York Daily News

By Joe Neumaier
Rotates around a rusty little robotic hero who's built, as the movie is, with such emotion, brains and humor that whole universes exist in his whirring tones and binocular eyes.
Full Review
75

Philadelphia Inquirer

By Steven Rea
With rich, detailed, cinematic animation and terrific sound effects, WALLE pulls this unlikely love story off.
Full Review
75

San Francisco Chronicle

By Mick LaSalle
In the moment, it's intermittently transcendent, heartrending and beautiful ... and busy, repetitious and boring.
Full Review
94 out of 100
Universal acclaim
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.