This jumbled light comedy was one of the last pictures featuring silent matinee idol Wallace Reid -- after being given...
|
Warren Jarvis
|
1922
|
Although director Cecil B. DeMille was known for his Biblical spectaculars and florid comedy-dramas about domestic relations,...
|
Capt. Billy Wade
|
1922
|
Wallace Reid starred in a legion of comedy-dramas involving speeding cars and most of them (generally written by Byron...
|
Jimmy Dent
|
1922
|
|
|
1922
|
At the time this film was released, its star, Wallace Reid, was supposedly spending some time in a sanitarium, getting a much...
|
John Ford
|
1922
|
|
Clarence Smith
|
1922
|
The quality of Wallace Reid's films were starting to slip, quite possibly because of his drug problems, and this comedy-drama...
|
William Burroughs
|
1922
|
Although Wallace Reid stars in this picture (based on the comic opera by Richard Harding Davis), Walter Long just about...
|
Brook Travers
|
1922
|
Silent matinee idol Wallace Reid played a speed demon in quite a few popular light comedies for Paramount. Here he takes a...
|
Buell Arnister Jr
|
1922
|
Cecil B. DeMille's much-maligned cinemadaptation of Arthur Schnitzler's The Affairs of Anatol holds up better than its...
|
Anatol De Witt Spencer
|
1921
|
This powerful drama, based on a Saturday Evening Post story by Byron Morgan (who also adapted it for the screen), proved to...
|
Teddy Darman
|
1921
|
aka Forever George du Maurier's classic novel was made into a play by John Raphael which starred John and Lionel Barrymore....
|
Peter Ibbetson
|
1921
|
|
|
1921
|
According to trade paper Wid's, "If it happened that you got into your seat just after the introductory titles had been run...
|
Cullen Dale
|
1921
|
Jim Glover (Wallace Reid) is an engineer in charge of constructing a railroad to the sea. He gives the company president Gage...
|
Jim Glover
|
1921
|
The star power of Wallace Reid kept the silent farce Charm School afloat. Auto salesman Reid inherits a school for proper...
|
Austin Bevans
|
1921
|
The ill-fated Wallace Reid -- who would die of morphine addiction in 1923 -- was in top form in this Paramount action...
|
Dusty Rhoades
|
1921
|
Sylvester Tibble (Wallace Reid) comes to New York City to work at the jug business run by his uncle, Enoch Jones...
|
|
1920
|
Wallace Reid once more brings home the box-office bacon for Paramount in Always Audacious. The ever-popular Reid plays a dual...
|
|
1920
|
Wallace Reid plays one of his speed demon roles in this picture, which is based on the Saturday Evening Post story, "The...
|
|
1920
|
During the early '20s, Wallace Reid starred in a number of snappy car racing films. This one was adapted from the Saturday...
|
|
1920
|
Reginald Jay (Wallace Reid) has taken to his bed to avoid testifying in a divorce case. He decides that feigning illness...
|
|
1920
|
When "Speed" Carr (Wallace Reid) has to travel from New York to Los Angeles to meet his uncle and claim an inheritance, he...
|
|
1920
|
This comedy had several winning elements, among them a screenplay based on O. Henry's story, The Halberdier, and dashing star...
|
|
1919
|
Douglas Fairbanks starred in the original Broadway production of James B. Fagan's Hawthorne of the USA, but Doug was too...
|
|
1919
|
Paramount's silent matinee idol Wallace Reid plays John Craig, a struggling young contractor who falls into a crooked...
|
|
1919
|
|
|
1919
|
In order to rescue his brother, society boy David Strong (Wallace Reid) has to travel through the underworld. He disguises...
|
|
1919
|
Wallace Reid could have appeared in a filmed version of the classified ads and made a fortune for his home studio of...
|
|
1919
|
Newspaperman Jack Wright (Wallace Reid) borrows five hundred dollars from his reluctant friend Foxhall Peyton (Harrison Ford...
|
|
1919
|
|
|
1919
|
Elwyn Barron's novel Marcel Leviget was the source of the Wallace Reid vehicle The House of Silence. Reid stars as wealthy...
|
|
1918
|
The plot of Less Than Kin hinges upon the astonishing resemblance between its two protagonists (both of whom, for the sake of...
|
|
1918
|
Played by Raymond Hatton, the "Firefly of France" is an elusive master criminal of uncertain loyalties. When the Firefly...
|
|
1918
|
Adapted from a popular stage play of the period, Believe Me, Xantippe was retooled as a vehicle for the even more popular...
|
|
1918
|
Rimrock Jones (Wallace Reid) is the toughest and most likeable prospector in a thriving Arizona copper camp. Having already...
|
|
1918
|
|
|
1918
|
Walsingham Van Dorn (Wallace Reid) has a fancy name but no money until he inherits 40 million dollars from a pair of wealthy,...
|
|
1918
|
Van Twiller Yard (Wallace Reid) has drifted from his well-to-do roots and landed on the skids. Along with several other...
|
|
1918
|
Listed in some sources under the title The Thing We Love, this Wallace Reid vehicle was directed by another popular matinee...
|
|
1918
|
With the exception of Joan the Woman, which contained a "contemporary" subplot, The Woman God Forgot was Cecil B. DeMille's...
|
|
1917
|
Handsome silent screen idol Wallace Reid takes a job as manager of a stage-line in this early silent western directed by the...
|
|
1917
|
|
|
1917
|
As its title indicates, Big Timber was set in a rugged Northwoods lumber camp. New York socialite Stella Benton...
|
|
1917
|
Many film critics felt that Wallace Reid graduated from mere leading man to full-fledged star in his 1917 vehicle...
|
|
1917
|
This drama starring Wallace Reid offers a lot of action and little else. Bob Fulton (Reid) is the superintendent of a mine in...
|
|
1917
|
There were many clumsy aspects to this war film made by Universal. It takes place "somewhere in Europe," but makes no other...
|
|
1917
|
A young society man (Herbert Rawlinson) decides to marry a nice country girl (Betty Schade) instead of his Follies girlfriend...
|
|
1917
|
When New England schoolmarm Faith Miller (Anita King) comes West to inspect a mine she has bought, she discovers it is a...
|
|
1917
|
|
|
1917
|
In the midst of a riot, a fanatic kills the governor, making Barnitz (Charles Perley) the state's leader. The killer is...
|
|
1917
|
This typically overbaked Cecil B. DeMille opus takes place off the seacoast of Brittany. While ambling along the beach,...
|
|
1917
|
In this melodrama, set in the California mission days, Jose (Emory Johnson) gets involved with a bandit (Alfred Allen) who...
|
|
1916
|
One of the few opera divas to achieve success on the silent screen (due in part to her affable, non-diva temperament),...
|
|
1916
|
|
|
1916
|
The aptly-described title character is Alice Hale, played by Cleo Ridgely. Urged on by her mercenary mother and by her own...
|
|
1916
|
|
Director, Screenwriter
|
1916
|
|
|
1916
|
A typical fanciful silent screen romance based on a bodice-ripping pulp novel, To Have and to Hold marked the screen debut of...
|
|
1916
|
Long before she began billing herself as Mrs. Wallace Reid, Dorothy Davenport enjoyed considerable success as a leading lady...
|
|
1916
|
|
|
1916
|
An artist (Wallace Reid) is in the countryside, painting, when he meets a girl in a roadster (Cleo Ridgely). They fall in...
|
|
1916
|
Hero Tom Wells (Wallace Reid) is dissatisfied with his lot in life. Wondering aloud whether he'd be happier if things were...
|
|
1916
|
A sweeping chronicle of the life and death of Joan of Arc, the Maid of Orlean, this epic stands as one of director...
|
|
1916
|
|
|
1916
|
Wallace Reid and Dorothy Gish were already screen favorites when they starred on this "Mutual Masterpicture." Dosia Dale...
|
|
1915
|
The ever-increasing popularity of Wallace Reid was given an additional boost with the four-reel Mutual production Yankee From...
|
|
1915
|
The Paramount version of Carmen had Cecil B. DeMille directing, prima donna Geraldine Farrar in her film debut, recreating a...
|
|
1915
|
|
|
1915
|
This adaptation of the Tennyson poem is graced with the presence of silent luminary Lillian Gish as Annie Lee. Three children...
|
|
1915
|
The Golden Chance was the last of 12 (!) films directed in 1915 by Cecil B. DeMille. Scripted by DeMille and...
|
|
1915
|
|
|
1915
|
|
|
1915
|
The most successful and artistically advanced film of its time, The Birth of a Nation has also sparked protests, riots, and...
|
|
1915
|
|
|
1915
|
|
|
1915
|
|
Director
|
1914
|
|
|
1914
|
The titular commodity in this Vitagraph comedy-fantasy is purchased by an absent-minded anatomy professor. En route to his...
|
Director
|
1914
|
|
Director
|
1914
|
|
|
1914
|
|
Director
|
1914
|
|
Director, Screenwriter
|
1914
|
|
|
1914
|
|
Director
|
1914
|
|
Director
|
1914
|
Although Valeska Suratt had been a vamp before the rise of Theda Bara (she was actually considered for Bara's starring bow, A...
|
Director
|
1914
|
|
|
1914
|
|
Director
|
1914
|
|
Director
|
1914
|
|
Director
|
1914
|
|
Director
|
1914
|
|
|
1914
|
|
Director
|
1914
|
|
Director
|
1914
|
|
Director
|
1914
|
|
|
1914
|
|
Director
|
1914
|
|
|
1914
|
|
|
1914
|
|
|
1914
|
|
|
1914
|
|
|
1914
|
|
Director, Screenwriter
|
1914
|
|
|
1914
|
|
|
1914
|
|
Director, Screenwriter
|
1914
|
|
|
1914
|
|
Director
|
1914
|
|
Director
|
1914
|
|
|
1914
|
|
Director
|
1914
|
|
Director
|
1914
|
|
Director, Screenwriter
|
1914
|
|
|
1914
|
|
|
1914
|
|
|
1914
|
|
Director
|
1914
|
|
|
1914
|
|
|
1914
|
|
Director, Screenwriter
|
1913
|
|
|
1913
|
|
|
1913
|
|
|
1913
|
|
|
1913
|
|
Director
|
1913
|
|
Director
|
1913
|
|
|
1913
|
|
Screenwriter
|
1913
|
|
Director, Screenwriter
|
1913
|
|
|
1913
|
|
|
1913
|
|
Screenwriter
|
1913
|
|
Director
|
1913
|
|
|
1913
|
|
Director
|
1913
|
|
|
1913
|
|
|
1913
|
|
Director
|
1913
|
|
Director
|
1913
|
|
Director
|
1913
|
|
|
1913
|
|
|
1913
|
|
Director
|
1913
|
|
Director
|
1913
|
|
Director, Screenwriter
|
1913
|
|
Screenwriter
|
1913
|
|
|
1913
|
|
Director, Screenwriter
|
1913
|
|
|
1913
|
|
Director, Screenwriter
|
1913
|
|
Director
|
1913
|
|
Director
|
1913
|
|
Director
|
1913
|
|
Director
|
1913
|
|
Director
|
1913
|
|
Director
|
1913
|
|
|
1912
|
|
|
1912
|
Produced by Hollywood's first permanent movie studio, Nestor, this one-reel melodrama featured Harold Lockwood as a jealous...
|
|
1912
|
|
|
1912
|
|
|
1912
|
|
|
1912
|
|
|
1912
|
|
|
1912
|
A gentle marital comedy of errors in which a wife believes the worst when her husband fails to appear on a planned trip to...
|
|
1912
|
|
|
1912
|
In this early silent comedy one-reeler, a minister (Gordon Sackville) loses the address to an upcoming wedding, causing...
|
|
1912
|
|
Screenwriter
|
1912
|
|
|
1912
|
|
|
1912
|
|
|
1912
|
|
|
1912
|
|
|
1912
|
|
|
1912
|
Produced by Hollywood's first permanent movie company, Nestor, this one-reel melodrama featured Harold Lockwood and...
|
|
1912
|
|
|
1912
|
|
|
1912
|
|
|
1912
|
|
|
1912
|
Essanay's The Brothers was strictly Cain and Abel stuff. The two title characters are both in love with the same girl. The...
|
|
1912
|
Produced by Hollywood's first permanent movie company, Nestor, A Brave Little Woman featured Dorothy Davenport, (wife of...
|
|
1912
|
|
|
1912
|
|
|
1912
|
|
|
1912
|
|
Screenwriter
|
1912
|
Produced entirely in Hollywood by the then-rural community's first permanent movie company, Nestor, this one-reel farce...
|
|
1912
|
|
|
1911
|
|
|
1911
|
Always fascinated with Native American mythology and folklore, director D.W. Griffith turned out no fewer than six "Indian"...
|
|
1910
|
|
|
1910
|
Long before his epic Birth of a Nation, D.W.Griffith was turning out such one-reel Biograph Civil War melodramas as...
|
|
1910
|