Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
You may not be able to figure it out, but that's part of the point of this sensually-directed, sensory-laden experiential (and experimental) piece of art that washes over you like a sonorous bath of beguiling visuals, ambient sounds and corporeal textures. Read full review
If you’ve ever sat at your desk wondering whether there’s more to life, or been kept awake by an insidious hum in the darkness, this will speak to your soul – even as its enveloping, disturbing, uplifting story sends your mind reeling with giddy possibilities. Read full review
Upstream Color is routinely confusing but not oppressively so; its final exquisite moments explain little yet still manage to invite you in. Read full review
It’s all a neat trick. Or exercise. Or brain-teaser. Whatever you want to call it, Upstream Color is like nothing you’ve ever seen before. But once you have seen it, once isn’t going to be enough Read full review
Henry David Thoreau plays an enigmatic role in Shane Carruth’s hypnotic thriller — an oxymoronic term to describe a film that is truly sui generis. Read full review
Upstream Color is lush, rhythmic, and deeply sensual, a film of exceptional beauty. Read full review
A romance, a thriller, and a science-fiction drama, Upstream Color tantalizes viewers with an open-ended narrative about overcoming personal loss. Read full review
Dense, richly textured, and emotionally fraught - uplifting and devastating in equal parts - Shane Carruth's masterful sophomore effort is an abstract, elusive, but emotionally engaging love story that's more tone poem than drama. Read full review
Upstream Colors certainly is something to see if you’re into brilliant technique, expressive editing, oblique storytelling, obscuritanist speculative fiction or discovering a significant new actress. Read full review
How to sum up? You have to make synapse-spark connections, interpret events to your own satisfaction, pick up visual cues (a long stretch of the film is dialogue-free) and be happy with not knowing all the answers (you know, like in life — but not in most motion pictures). A perfectly judged, strikingly beautiful film, but also a lunatic enterprise which invites — even welcomes — befuddlement as much as wonder. A true original.
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