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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Those willing to meet (Untitled) even part way will discover a comedy of intelligence and wit, with some strong performances. Read full review
The whole cast is museum quality, and the ''music'' performances are pitch-perfect in their dissonance. Read full review
A comedy worthy of the best Woody Allen, and Adrian is not unlike Woody's persona: a sincere, intense, insecure nebbish, hopeless with women, aiming for greatness. Read full review
Walking the line between the movie's broad strokes and its near-perfect pitch is the art itself, which has been designed and constructed by a team of smart designers. Read full review
(Untitled) assembles a collection of vivid character-types, sometimes a breath short of caricature. But for all its sharp comic angles, Jonathan Parker's film takes its central questions seriously and avoids the pat follow-your-bliss answers Hollywood prefers. Read full review
If "(Untitled)" shrewdly hedges its bets about the value of it all, it is ultimately on the side of experimental music and art and their champions, no matter how eccentric. For that alone this brave little movie deserves an audience. Read full review
As in the best movie satires, there's a solid core of truth informing director Jonathan Parker's (Untitled), which takes on the New York art and music worlds in one smart and funny swoop. Read full review
Satire without teeth is sort of a mewling entity that brings little into sharp focus. Nevertheless, the performances here are all stellar, and narrative movies that take the making of art seriously are a rare breed indeed. Read full review
The film veers between cutting parody and cliche, threatening to become interesting at any moment, but never quite doing so. Read full review
In mistaking obvious observations for cutting insight, writer-director Jonathan Parker becomes what he lampoons. Read full review