75

New York Post

By Kyle Smith
Essentially amounts to an extended interview with a psycho, fleshed out with background material that, while suitably shocking, is not always illuminating or even frank. The film is curiously shy about calling Varg what he is: a Nazi.
Full Review
70

Salon.com

By Andrew O'Hehir
As crafty and compelling as Aaron Aites and Audrey Ewell's Until the Light Takes Us is, it may go too far in its understandable desire to correct the bias and prejudice of mainstream journalism.
Full Review
60

Time Out New York

Plainspoken music doc relies on firsthand testimony from band members and key observers.
Full Review
60

The New York Times

Absorbing, low-key documentary.
Full Review
50

The Globe and Mail (Toronto)

By Stephen Cole
Contains fascinating footage – material from the 1980s that looks to be the work of angry, ancient Norse warriors. There is, however, almost no perspective here. Perhaps the filmmakers succumbed to a condition associated with a city east of Oslo – the Stockholm Syndrome.
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50

Village Voice

One artist favorably compares the homemade metal scene to state-supported "mediocre cultural activity"--as good a designation as any for Until the Light Takes Us.
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40

Variety

Stylistic overreach and neglect of the uninitiated make Until the Light Takes Us a too-specialized examination of Norway's black-metal movement and the aberrant culture surrounding it.
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38

Boston Globe

By Joan Anderman
Talking heads are overused in documentaries, but in this case a dose of perspective, a point of view or two, would have a gone a long way toward turning a pageant of unreliable voices and morbid images into a portrait of the artists and their deadly scene as something more than misunderstood.
Full Review
54 out of 100
Mixed or average reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.