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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
As in a good European film, shots are allowed to breathe. The focus is on character and human emotion. At the same time, the movie shows an American concern for pace and story development. The result is the best of both worlds. Read full review
James Gray's Two Lovers really is a '70s movie, in the mode of such raw, unfiltered character studies as "The Panic in Needle Park," "Wanda," and "Fat City." Read full review
The whole movie is so well-cast and performed that we watch it unfolding without any particular awareness of "acting." Read full review
Phoenix plays the romantic lead with great intelligence and enormous charm, making his character's conflict utterly believable, and Paltrow positively glows as the radiant shiksa who dazzles him. Read full review
Themes of loneliness, alienation and unrequited love are not new, but there is always that sense of the unexpected in Phoenix that keeps you curious. Read full review
Joaquin Phoenix gives a superbly raw and excruciatingly vulnerable performance. Read full review
The film's secrets unfold slowly, allowing Phoenix and Paltrow -- a luminous fusion of grace and grit -- to build a relationship in full. The script, by Gray and Richard Menello, is inspired by Dostoevsky's "White Nights." Read full review
The movie's chief value is to preserve Phoenix at the height of his wary physical grace, which recalls a young Marlon Brando. Read full review
The flaws in Two Lovers are inseparable from its strengths. You could, I suppose, criticize the movie for being too sincere; too generous to its imperfect, self-deluded characters; too absorbed in their small crises and disproportionate reactions. But that criticism might sound a lot like praise. Read full review
This very New York tale is old-fashioned in good ways that have to do with solid storytelling, craftsmanship and emotional acuity. Read full review
2.0
Dave White Profile
He hates himself. Chicks love this. Read full review