By James Berardinelli
May not have much thematic depth, but it represents two hours of pure, exuberant entertainment – an epic gangster tale rendered on a grand scale.
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Miami Herald

By Bill Cosford
This is a big, beautifully designed movie in which the filmmakers' intelligence is everywhere; it's the product of a special vision. And Brian De Palma continues to be good news from Hollywood. [3 June 1987, p.D1]
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The Untouchables is a beautifully crafted portrait of Prohibition-era Chicago.
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The New York Times

By Vincent Canby
Hollywood's latest big-budget, high-concept, mass-market reworking of material not entirely fresh, has more endings than Beethoven's Fifth, but it's also packed with surprises, not the least being that it's a smashing work. It's vulgar, violent, funny and sometimes breathtakingly beautiful.
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By Richard Schickel
Mamet's elegantly efficient script does not waste a word, and De Palma does not waste a shot. The result is a densely layered work moving with confident, compulsive energy.
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Chicago Tribune

By Gene Siskel
Ethics aside, the filmmaking by DePalma is stylish and alternates between shocking surprise and hold-your-breath quiet.
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By Ian Nathan
Superb performances, exquisite direction and that Ennio Morricone score create an authentic 1920s Chicago feel and a hugely entertaining crime drama.
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The Globe and Mail (Toronto)

De Palma's visual acuity tends to blur into mere gimmickry without the benefit of a resonant script. He got one in Carrie and another in Blow Out. Here, Mamet makes do with a text that is always shrewd but never intelligent. Still, when shwrewdness meets style, smoothing the curves and polishing the twists, the ride becomes a bonafide crowd-pleaser. The Untouchables is the cheering people's happy choice. [4 June 1987]
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Chicago Sun-Times

By Roger Ebert
De Palma's Untouchables, like the TV series that inspired it, depends more on cliches than on artistic invention.
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Los Angeles Times

By Sheila Benson
It's strange that in this somber inspection of moral fiber and what causes it to fray, De Palma couldn't have made his hero at least as interesting as his villain, and both of them at least as complicated as they were in life.
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79 out of 100
Generally favorable reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.