Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
A down-and-dirty genre picture that manages a couple of decent plot twists, a couple of passable car chases and two epic shoot-outs. Read full review
Don't look for The Sweeney to win any awards. It's not going to, not even close. But that doesn't stop it from being a briskly involving British crime entertainment of the old school. You've seen the type, and more than once, but the genre still has enough juice to take us for a ride. Read full review
Simon Dennis’s photography is glossy and crisp, and a lengthy foot chase — making excellent use of the National Gallery — is inventively choreographed. And if the villains are little more than fireplugs in balaclavas, the violence they provoke is satisfyingly vicious. Read full review
The movie has a certain integrity and creates an interesting atmosphere, largely thanks to the soundtrack, of all things, which gives most moments a dreamy undertone.
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I don’t know how many sex scenes featuring Winstone and Atwell you can handle, but the movie breaches my limit, which is a firm zero. Read full review
Somewhere in the laundry list of clichés, there is a movie here that we have already seen and forgotten. Read full review
Fans of the gritty, era-defining precinct drama will bristle at how the program's realism has been replaced by a generic Tinseltown U.K. slickness. But regardless of whether you’re a longtime devotee or not, you’ll be left saying, “This is The Sweeney? I’ve been rooked.” Read full review
The Sweeney—a new British police drama—feels a lot like an American-made cop movie circa 1990. Read full review
Clichés abound, even in the look of the film, which toggles between post-Ritchie crime-violence burlesque and sleek, Nolanesque faux-grandeur. Read full review
Up until the very very end (which uncorks a CLASSIC cop cliché that seemed long dead by now), The Sweeney is straight dumb procedural, no chaser. Read full review
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