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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
This is no splatter movie: spare, suspenseful and brilliantly invested in silence, Bryan Bertino's debut feature unfolds in a slow crescendo of intimidation. Read full review
A spare, creepily atmospheric psychological thriller with a death grip on the psychological aspect. Read full review
It's all efficiently nerve-jangling, with Tyler and Speedman credibly registering every hue of panic. Still, after such a long, creepy, cannily restrained buildup, it must be said the resolution is rather flat, a full-circle postscript rote. Read full review
Bryan Bertino, stages The Strangers' early scenes with spooky panache...But then comes the blood, the shrieking midnight chase scenes, the anything-goes over-the-top-ness. In other words, everything that we liked the movie for not being. Read full review
Bertino does an excellent job building dread, especially during the first half of the movie. Every silence, pause and sudden noise startles - and the results, frankly, are more frightening than the graphic torture scenes in movies like "Hostel" and "Saw." Read full review
The movie deserves more stars for its bottom-line craft, but all the craft in the world can't redeem its story. Read full review
No one is getting at anything in The Strangers, except the cheapest, ugliest kind of sadistic titillation. Read full review
Here's the tricky thing about The Strangers. Sure, it uses cinema to ends that are objectionable and vile ... but it does it well, with more than usual skill. Read full review
I like watching snakes eat mice just as much as the next fella, maybe even more, but The Strangers turns the gobble-'em-up into an ordeal. It's a fraud from start to finish. Read full review
A horror film with a moral. No matter how nasty a gang of murderers is, the moviemaker calling the shots is ultimately worse. Read full review