Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Kilmer dons 12 disguises in all, polishes them with impeccable accents and pliable postures and gives a performance that's far and away the best aspect of the diverting The Saint. Read full review
More entertaining than Mission: Impossible or the last Bond film, Goldeneye, it brings back the humour and sang-froid that makes the genre work. Read full review
The Saint leaves star Val Kilmer and director Phillip Noyce (Patriot Games) fighting to enliven an exhausted character. Read full review
The Saint is more of a character-based thriller than a strict stunts-and-explosions film, which is a good thing because the action sequences are mostly flat and obligatory. Even when he generates a degree of tension, director Phillip Noyce (Patriot Games, Clear and Present Danger) is unable to sustain it, and the disappointing ending is not only long and drawn out, but lacks a sense of closure. Read full review
There's no lack of style or pace from Noyce, just the sense that it isn't quite gelling together. Read full review
Kilmer slips in and out of a series of ludicrously elaborate disguises, some more convincing than others, while poor Shue shuffles through the role of a sexy, book-reading babe pretending to be a dowdy lady scientist in kneesocks. Read full review
Val Kilmer is fun as the mercurial hero, and Elisabeth Shue would be great as the physicist if she didn't waste so much time making googoo-eyes at her handsome new boyfriend. Read full review
Compared with the sensational stunts and special effects in the Bond series, The Saint seems positively leisurely. The fight scenes go on too long and are not interesting, the villains aren't single-minded enough, and the Saint seems more like a disguise fetishist than a formidable international operative. Read full review
While the original conception of The Saint gave us a debonair, sophisticated and roguish detective, the new movie, directed stiffly by Phillip Noyce ( "Clear and Present Danger" ), gives us Val Kilmer as a greedy high-tech daredevil thief with the moves of Batman, the clunky disguises of Tom Cruise in "Mission: Impossible" and the morals of an alley cat. Read full review
Top-heavy with whimsy, so muddled it makes Mission: Impossible look like a model of narrative cohesion, The Saint is the apo-theosis of the new incoherence, with the cliches of espionage and action thrillers jammed together like bumper cars. Read full review
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