The RavenMovie Reviews

Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 63
    New York Post | Lou Lumenick

    In the skilled hands of Cusack - who recites quite a bit of Poe's poetry - and director John McTeigue ("V for Vendetta''), it's good pulpy fun. Read full review

  • 63
    ReelViews | James Berardinelli

    The Raven is period piece fun - at least until it realizes there has to be a conclusion. That's where a certain amount of inevitable disappointment sets in. The curse of the two-hour murder mystery is that the ending never seems to justify the build-up. Read full review

  • 63
    USA Today | Claudia Puig

    This many-feathered animal occasionally soars before it crash-lands. Read full review

  • 60
    Movieline | Stephanie Zacharek

    A handsome-looking thing, with fairly grand period costumes and reasonably lavish sets. So much for production values: In every other way the picture is stiff and unyielding, hampered by a clumsy plot and diorama performances. The whole thing has the feel of a second-rate living-history exhibit. Read full review

  • 50
    Rolling Stone | Peter Travers

    Cusack captures that desperation vividly enough to make you wish this was the real Poe story, which The Raven onscreen leaves buried alive. Read full review

  • 50
    San Francisco Chronicle | Mick LaSalle

    The story has its moments, and yet there is something about this tale of a serial killer's patterning his crimes on Poe's most gruesome works that doesn't completely satisfy. Read full review

  • 50
    Entertainment Weekly | Owen Gleiberman

    The film, devising events that led up to his mysterious death in 1849, is also the most gruesomely literal-minded of period detective stories. Read full review

  • 50
    Chicago Sun-Times | Roger Ebert

    When I heard that John Cusack had been cast for this film, it sounded like good news: I could imagine him as Poe, tortured and brilliant, lashing out at a cruel world. But that isn't the historical Poe the movie has in mind. It is a melodramatic Poe, calling for the gifts of Nicolas Cage. Read full review

  • 38
    Boston Globe | Ty Burr

    A grimly preposterous serial-killer thriller set in 19th-century Baltimore, this riff on the final days of the author of "The Tell-Tale Heart" and other masterpieces of the macabre might qualify as literary desecration if it weren't so silly. Read full review

  • 20
    New York Daily News | Joe Neumaier

    This wannabe Sherlockian thriller is like a night spent at Madame Tussauds, watching mannequins strangle other mannequins. Read full review

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