75

Chicago Tribune

By Michael Wilmington
That conscious absurdity is at the core of The Quick and the Dead. It's a rousingly grotesque, often wildly entertaining western horror-comedy, with co-producer and star Sharon Stone as a sexy lady gunslinger taking on all comers in the gunfight tournament from hell. [10 Feb 1995, p.C]
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63

Boston Globe

By Jay Carr
The Quick and the Dead is a sly, savvy Hollywood sendup of Sergio Leone Westerns with Sharon Stone playing the Clint Eastwood righteous avenger role and Gene Hackman the heavy. You'd call it a spaghetti Western, but the budget is too high. Maybe we'd better think of it as Hollywood's first angel-hair-pasta Western. [10 Feb 1995, p.47]
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63

TV Guide

Hip, jokey western from cult director Sam Raimi. Recommended as an antidote to anyone still suffering from Wyatt Earp hangover.
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63

The Globe and Mail (Toronto)

By Rick Groen
Thanks to him, The Quick and the Dead is more than moribund. How much more? Let's just say that there's motion in the picture. Indeed, speaking of accomplishments, Sharon Stone appears clad throughout an entire feature - gee, give a gal a gun and there's no telling what she can achieve.m [10 Feb 1995, p.C1]
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63

USA Today

By Mike Clark
Sharon Stone rides into a Western dust hole bent on revenge. Gene Hackman, virtually reprising his Unforgiven heavy, gives this goofy genre-bender some authenticity. [17 Feb 1995, p.4D]
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50

Rolling Stone

By Peter Travers
Quick and the Dead plays like a crazed compilation of highlights from famous westerns. Raimi finds the right look but misses the heartbeat. You leave the film dazed instead of dazzled, as if an expert marksman had drawn his gun only to shoot himself in the foot.
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50

San Francisco Chronicle

By Mick LaSalle
Yet all this work, all this skill, serve as little more than an elaborate setting for a rhinestone. At its core there is no passion, no sincerity of conception, nothing that might have made The Quick and the Dead into anything more than moment-to-moment stimulation. You get lots of clothes here, but no emperor. Or rather, no empress.
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50

Entertainment Weekly

By Owen Gleiberman
The Quick and the Dead is too light to pack the dramatic punch of a true Western and too flat to pass as cheeky revisionism. It ends up in its own amiable, slowpoke limbo.
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50

Chicago Sun-Times

By Roger Ebert
As preposterous as the plot was, there was never a line of Hackman dialogue that didn't sound as if he believed it. The same can't be said, alas, for Sharon Stone, who apparently believed that if she played her character as silent, still, impassive and mysterious, we would find that interesting. More swagger might have helped.
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10

Wall Street Journal

Ms. Stone. She alternates between two expressions here: sullen, and aghast. Then again, if you were listed on the credits as the co-producer of this violently dull piece of shlock, you'd look that way, too. [16 Feb 1995, p.A12]
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49 out of 100
Mixed or average reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.