Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Like "The Exorcist," the best film in the genre, it is inspired by some degree of religious scholarship and creates believable characters in a real world. That religions take demonic possessions seriously makes them more fun for us, the unpossessed. Read full review
This variation on the demon child subgenre has enough of the familiar and the new to be a decently good time at the movies. Read full review
Anyone who actually believes in dybbuks and other ghoulies will find The Possession terrifying. For the rest of us, the movie is a cleverly constructed, well-paced piece of hokum. Read full review
Oh my God, evil. What's with you? Ever since "The Exorcist," it's been the same song-and-crab-dance: Demons don't kill, divorce does. Read full review
The Possession has none of the suspense that made Bornedal's morgue thriller "Deathwatch" such shuddering good fun. And despite the absurdly overwrought Bernard Herrmann-esque score, it has very few genuine shocks. Read full review
Representing a sort of equal opportunity religious variation on an all-too-familiar theme, The Possession is a Jewish-themed "Exorcist" that, if nothing else, should discourage the practice of buying antique wooden boxes at flea markets. Read full review
While the sound design and spooky minimalist music add suspense, and CGI effects are duly sinister, a climactic strobe effect is more annoying than frightening. Read full review
Unremarkable and none-too-scary horror movie. Read full review
Slick direction and a strong central turn from Jeffrey Dean Morgan will keep you watching, if rarely from the edge of your seat. Read full review
Bornedal invests so much time in the characters - Jeffrey Dean Morgan and Kyra Sedgwick play the split parents of the girls - that there are times you will forget this is a horror movie. It's Kramer vs. Kramer vs. Lucifer. Read full review
3.0
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Sympathy for the Jewish Devil Read full review