The Place Beyond the Pines

By ajgrossnicklaus
Written July 30, 2014
It was worth seeing. It was a little different side of Ryan Gosling than I've seen in other movies.
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Beautifully Sad

By tobuzztubas
Written October 24, 2014
The movie was perfectly pensive, introspective, and so sad. It shows different perspectives on how our choices shape us, and the next generation. The acting was incredible, especially Brady Cooper's performance. Wow. Not a need-to-see-at-the-theatre movie, but the music at that volume/proximity was moving. Overall a beautifully sad film.
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The Place Beyond the Pines

By Rosemarie Castellano
Written July 25, 2014
A beautiful, deep and haunting film. The complexities of life, choices, consequences, and the impact of fatherhood resonate deeply. Not fast food film, but a complex meal to digest.
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What a beautiful and memorable film!

By Northern Light
Written July 26, 2014
No spoilers here. I am not going to say anything about the story, except that it was much deeper and more interesting than I expected. The story, in fact, was what moved me most about this film. There was a lot of action and suspense in this film -- I was on the edge of my seat the whole time. But it was far more than "just" an action or suspense film, because the characters were so beautifully drawn. I found myself thinking about the characters the next day -- as though they were people whom I knew in real life, wondering what they were doing now. I care about these characters. I relate to them, although they live extremely different lives than I do -- but that's part of the fascination. The acting was incredible. Every single character was perfectly cast and did a superb job. Ryan Gosling and Eva Mendes exude a smoldering raw sexuality and energy. Gosling's make-up was fascinating. Directing: brilliant. Photography: beautiful. Take a chance and just go see this film.
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Flat performances, predictable story line

By pshawphoto
Written December 29, 2014
The movie was only moderately interesting to me. While it had a cast of gifted actors, the director did not seem to get much out of them. Two standouts were Ben Mendelsohn and Emory Cohen in supporting roles as a well-meaning auto repairman and a drug-obsessed high school bully, respectively, although it defied any credulity to think that the twenty three year old Cohen, often sporting a heavy five o'clock shadow, was young enough to still be in high school. The other problem was that the story line did not seem all that interesting. Alienation and dysfunction between fathers and sons? So what? Even this was not really explored in any interesting detail.
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