Written May 22, 2015
Sheer genius in every way: music, singing, acting, production, orchestra in control of conductor. Phenomenal work of art. "Out of planet" experience.
Written May 25, 2015
It was great to see this exciting new opera on the MET stage. Singing was agile and met the demands of difficult score. Libretto was amazing – kind of Wagnerian stabrime with short phrases and some rhyme which allowed clear enunciation of the feelings and story. Staging varied from exhilarating effects to pedestrian and crowded blocking. (Lepage just doesn’t work well with actors.) Biggest gripe is the sound where I saw the show, at MAzza Gallerie in Washington DC. Often too loud, and not kind to orchestra.
Written September 23, 2014
This was really amazing opera.It had beautiful music, cool effects, and it was in English! This was the first opera I've seen in my native tongue. Will go again.
Written July 30, 2015
Simply a screeching misery for the first two acts which is all I could bear. The dialogue did no justice in the least to Shakespeare, and the score was discordant. Too much "tempest" in the music for my taste. My ears still bled a bit this morning.
Written August 28, 2014
Outstanding production, incredible voices, masterful acting, famous Shakespearean story. So what could be wrong? As a modern composition, there isn't a traditional melody to be found here. The skills to sing and play this kind of dissonance are on full display, but we had to leave after Act 2. At least we left on a high note in that the second act closed with an aria between the star-crossed lovers and it was beautiful. I'll see any production with Simon Keenlyside performing in it. He's a fine baritone in voice, stature and range.