Critics Say

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Maria Stuarda

By albertasinger
Written July 24, 2014
The experience was fabulous. The production was outstanding. I am not a fan of the Donizetti style to portray the dark story of these two queens. I enjoyed the live feed and backstage view. It was worth every penny.
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Maria Stuardia

By hpkagey
Written January 20, 2013
Nicely done with wonderful staging. Donna DiDonato's (Mary Stuart) arais were quite well done. Great supporting cast.
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Maria Stuarda

By bill174
Written January 20, 2013
The Met has a great production of this jewel of Donizetti's 3 Queens Trilogy: Maria Stuarda. With Joyce DiDonato in the lead role, students of bel canto have a textbook performance to revel in. That remarkable voice, aiding her deeply felt vocal acting became even more obvious when seen in the HD broadcast, with its constant closeups allowing any of us in the theater to be one with each performer. I admit being biased when it comes to Donizetti and his operas ---and Maria Stuarda in particular. Dame Janet Baker's performances in English closed her stage career in Britain 30 years ago; that legendary performance has for me been the standard of comparison that has never been rivaled --including Beverly Sill's 1977 performance. That is until now: DiDonato has it all, and gave it all. I can only hope that she has a long and splendid career ahead of her.
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Beautiful singing, sumptuous production

By fart4art
Written February 18, 2013
This is a very enjoyable opera of the Queen Elizabeth and Mary story. The two female lead singers Elza van den Heever as Elizabeth and Joyce DiDonato as Mary are superb. The rest of the cast are also excellent. Production values are up to the usual Met polish.
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Maria Stuarda

By operahdbam
Written January 21, 2013
As a fan of Joyce DiDonato, I was eager to see this opera, and was not disappointed. Her portrayal of exiled queen Mary of Scots was poignant, regal, determined, forgiving. Queen Elizabeth was not quite the villain, but never a sympathetic character. The camera work was revealing but not intrusive; e.g., Elizabeth's hand motion of the flourish under her signature, and her sealing with her signet ring. I wonder whether the in-house audience was able to see them. In a concert hall, it is not possible to see the facial expressions that are so evident on camera. I especially like the backstage interviews with the principals. It was obvious that the movie-house audience felt connected to the stage action because there was applause after arias and at the end. This was our third opera in HD, and I continue to recommend the experience. I am looking forward to future productions.
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