Written May 24, 2015
As usual, the Met's production of Les Troyens was mind-blowing in scope and quality.
And, I'm afraid, also as usual, our local theater's sound equipment kept breaking up the transmitted audio throughout the performance, anywhere from once a second to every ten seconds or so.
Bad sound for a Met opera? Why bother to go?
Written January 06, 2013
Awful! Boring! I left in the middle. Sadly, special effects people are replacing beautiful music and singing with fancy scenery and gadgets. It is not opera any more.
At first I thought opera in HD was great because we could see the singers facial expressions, but it has gone down hill so fast that I may not go anymore.
Written January 06, 2013
This was a fantastic opera, it has everything in it. wonderful score, great singing, attractive ballets and a larger than life legend to which we can still relate these days.
I loved it so much that I am seriously considering going back to the encore to see it again. It is a real and rare treat. I will certainly buy the DVD as soon as it comes out.
Written April 28, 2015
At first I thought, wow, five hours plus, but I pre-ordered my ticket, packed a little snack and off I went. This is a great theatre to view these HD broadcasts, Woodland Hills AMC, CA. I was so taken with the performances and the production that the time literally flew by.
I didn't realize how much ballet there was in the opera, but it added to the dramatics of the story quite well.
The difference between the first part, Troy, with it's visual feeling of impending doom, was so well done. The second part, in Carthage, was a lovely glimmering white, touches of gold, and joy among the inhabitants. Of course, as in most operas, it does not end well with invevitable death and despair.
The singers were outstanding. Doborah Voight, as Cassandra, conveyed her prophecies very powerfully. She was the highlight of the first part.
Susan Graham was a lovely Dido, but the great joy was Bryan Hymel as Aeneas. What an incredible voice. Bravo to all,and may we see more of Mr. Hynel in the future.
Written May 03, 2015
I don't think I ever would have chosen to see this at the Met, given the financial and time commitment, but HD Live was the perfect way to see this epic production and try something other than my addiction a to Puccini/Verdi operas with their traditional arias. I felt it was mind-expanding, truly one of the largest scaled operas I had ever seen, and it all came home with Bryan Hymel's aria in the last act. He is a super star. I really appreciated the back-stage looks during intermission, and using a movie theatre bathroom was a better experience than the Met's bathroom. It's not the same as live music, but it's a terrific experience. I signed up for Rigoletto, the Las Vegas version in February. The rehearsal interviews really whetted my appetite. Lynne in NYC