Written April 23, 2009
This is the first Opera I ever saw when i was 15 years old. It is the simple story of Cinderella, but more human, funny and no fairy god mother. Instead the Opera writer appears to change the girls destiny.
The story is fun, also the music is lively and entertaining,
If you have never been to an opera before, this is the way to begin.
I am just curious about this new HD experience with live operas from the met, I've heard they are great, but will let you know after my first experience on May 9th with La Cenerentola.
Written February 06, 2016
La Cenerentola was big on expressing the comedy aspects of this fairy tale, was lighter on the magical/ side of it. La Cenerentola seemed less like a tragic figure and more like a survivor instead of the pathetic, lovelorn figure that we knew from childhood.
The singing from all the members of the cast was excellent, but especially from the tenor who plays the role of the Prince who falls in love with Cenerentola. He sounded like a tenor from the old school, like the great tenors like Caruso and Pavorotti.. The staging was good, but wasn't the part of the production that shined the most. The thins that made the opera good were th acting, comic timing, and the singing. The staging was adequate, but unspectacular. I had gotten to expect the spectacular form the Met Opera.
I would strongly recommend it; both for adults and children.
Written April 25, 2009
Haven't heard any good reviews so I think I'll pass on this one.
Written May 10, 2009
I thoroughly enjoyed this performance and thought it well cast. The leading lady is exquisite and all of the cast sang superbly. I enjoyed the father's antics and the chorus supported the leads, and although in doubtful attire, added solidity and force to the performance. I wondered at the "musical chairs" scene, but all in all I was delighted with the acting and jumped in my seat when Cinderella dropped the plate and cup, as well as when the fire started. Well done! Our audience clapped entusiastically and spoke approvingly of the performance as we walked out of the theater.
Written May 10, 2009
The Met ended its Theater simulcast season with a cornucopia of sheer beauty. In the capable hand of the musicl, stage and costume direction of the pros at the venerable Metopolitan Opera, Rossini's delightful romp through the classic tale of Cinderella was a tour de force for the eyes as well as the ears. This, despite his liberties with the story, and his emphais on comedy rather than Romantic love.
Elina Garanca shone as the gorgeous Cinderella, dripping with goodness and forgiveness. The prince, Don Ramiro, played by the diminutive Lawrence Brownlee,demonstrated that one doesn't need to be a buff Western European Adonis to be effective as a lead tenor. The supporting cast was appropriately quirky and, paradoxically, attractive, and exellent singers at the same time. We hosted a middle aged couple who had never seen an opera. They are now hooked, as are we..