Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
One of the year's most original and emotionally profound movies masquerades as the tiny story of a young couple who take a backpacking trip in the Caucasus Mountains the summer before their wedding. Read full review
One of the finest of the year, The Loneliest Planet is based on a short story by Tom Bissell that's itself inspired by a famous Hemingway work, "The Short Happy Life of Francis Macomber." Read full review
The movie captures a kind of tragedy of self. Read full review
Blink your eyes and you've lost track of them, but one of the interesting things about the experience is that you don't want to lose track; though the film moves as slowly as its hikers, it demands, and deserves, to be watched closely. (The cinematographer was Inti Briones.) Read full review
The story is carefully constructed, with moments that seem offhand initially, but are later revealed as crucial. Read full review
Much of the film's final act is given to alienated walking, which too often plays as an abstract study of triangular arrangements in which non-speaking figures move across a barren terrain. Read full review
Writer-director Julia Loktev sustains the tension for long, Antonioni-esque passages that portend something momentous. The film delivers in unexpected ways, and then ponders what it means. Read full review
Gorgeous surroundings don't make up for sulky, feuding travel companions. Read full review
There's no getting around it. Though it's not without virtues, The Loneliest Planet may try the patience of even the most dedicated lovers of art film. Read full review
All of this grows tiresome. We're given no particular reason at the outset of The Loneliest Planet to care about these people, our interest doesn't grow along the way, the landscape grows repetitive, the director's approach is aggressively minimalist, and if you ask me, this romance was not made in heaven. Read full review