100

San Francisco Chronicle

By Edward Guthmann
A first-rate crime thriller and further proof that Soderbergh is one of our great contemporary film stylists.
Full Review
100

San Francisco Examiner

By Wesley Morris
Makes a term like neo-noir seem like a fatuous catch phrase.
Full Review
100

Entertainment Weekly

By Lisa Schwarzbaum
A small cubist masterpiece about crime and punishment set in that most split-level of environments, Los Angeles.
Full Review
88

Philadelphia Inquirer

By Desmond Ryan
The pleasure of The Limey lies in watching what actors who have aged like fine wine can do in that world.
Full Review
88

New York Daily News

By Jack Mathews
Stamp, whose ability to make Wilson simultaneously coarse and charismatic is irresistibly entertaining.
Full Review
88

USA Today

By Mike Clark
One of those movies in which pacing, dialogue and the right actors enliven a familiar story.
Full Review
88

Chicago Tribune

By Michael Wilmington
Intoxicatingly well-crafted entertainment about hunting down your enemy.
Full Review
80

Rolling Stone

By Peter Travers
A mesmerizing mood piece.
Full Review
67

Mr. Showbiz

By Michael Atkinson
It's such an accomplished, beguiling film in its details that you almost don't notice that the story is scattershot, arbitrary, and thin -- almost.
Full Review
63

Boston Globe

By Jay Carr
Can't outrun its very visible limits.
Full Review
73 out of 100
Generally favorable reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.