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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Robinson's script is alive to the material's literary roots, although there is a sense that the brakes have been applied so as not to push into territory perceived as too esoteric for American teenagers. Read full review
It depicts the world of a century ago in a way that comments on the anxieties facing the world today, and it does so, at least for a while, with cleverness and a sense of fun. Read full review
The movie is based on a 1999 series of comic books by Alan Moore and Kevin O'Neill, but the original tone of deadpan historical audacity has been replaced by a kind of wax-museum literalness. Read full review
Has the sweat stains of wasted energy; it's dreary, yet frantic. Read full review
These guys have dumbed down a comic book. Read full review
The murkiest-looking movie since Ben Affleck's Daredevil and about as lacking in charm. Read full review
Nothing anchors the lighter-than-air story as it drifts away under the direction of Stephen Norrington ("Blade") into an FX stratosphere where wit, character and vigorous storytelling cease to matter. Read full review
Except for Connery, who is every inch the lion in winter, nothing here feels authentic. Read full review
Just when it seems about to become a real corker of an adventure movie, plunges into incomprehensible action, idiotic dialogue, inexplicable motivations, causes without effects, effects without causes, and general lunacy. What a mess. Read full review
It's not brazenly bad or heroically bad or stridently bad. It's bad in all the old, dull ways of being bad: poor performances, absurd story, dreary special effects, witless dialogue and the excessive length of someone taking himself far too seriously. Read full review