Los Angeles Times

By Kevin Thomas
It's handsome, large-scale escapist fare - and has as its costar the formidable, versatile Kristin Scott Thomas.
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Chicago Reader

By J.R. Jones
Fortunately for the company, Largo turns out to be a formidable knife fighter in the corporate sense; fortunately for this sleek, empty thriller, he turns out to be a formidable knife fighter in the street sense too.
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New York Post

By V.A. Musetto
The generic plot is redeemed by exciting action sequences, good-looking location photography and a hot sex scene involving a femme fatale named Lea (pixie-haired Melanie Thierry).
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Chicago Sun-Times

By Roger Ebert
Did I care if Largo Winch won his struggle for control of Winch International? Not at all. Did I care about him? No, because all of his action and dialogue were shunted into narrow corridors of movie formulas.
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The New York Times

By Stephen Holden
About halfway through, the wheeling and dealing becomes so elaborate and the villains so numerous that the only way to enjoy the movie is to let its preposterous story wash over as you sit back and take in the scenery.
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By Jordan Mintzer
Euro-financed production throws large chunks of change at a corporate espionage saga spanning several continents, yet most of the money seems to have landed in locations, with too little allocated to the script and stunt departments.
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Time Out New York

By Nick Schager
Whether sleuthing or smacking around thugs, Sisley makes a dashing hero, but this glossy action flick is heavy on tedious convolutions and depressingly light on character depth, suspense or political-economic intrigue.
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Slant Magazine

By Andrew Schenker
Like most of the film's performances, Sisley's comes off as flat and impenetrable, the result both of a certain stoical conception of character and the dissipation of focus that arises from the movie's perceived need to encompass so much.
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Village Voice

By Nick Pinkerton
It's impossible to imagine how anything this convoluted could have already earned a sequel, but it has.
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San Francisco Chronicle

By Mick LaSalle
The movie is a mess.
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40 out of 100
Mixed or average reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.