Philadelphia Inquirer

By Steven Rea
A beautiful, head-spinning mystery that requires keen attention - and rewards it with a tricky and poetic payoff - The Double Hour is a topflight Euro thriller right up there with "Tell No One."
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Entertainment Weekly

By Lisa Schwarzbaum
Nothing in this enjoyably twisty, cool/ hot, genre-grafting Italian psychological thriller by Giuseppe Capotondi is what it seems. And the more you try to solve the narrative puzzle, the more you may want to watch it again - or at least argue about what's real.
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Chicago Tribune

By Michael Phillips
I've seen the fabulously acted Italian thriller The Double Hour twice now, and for all its intricate manipulations, it stays with me for a very simple reason: The love story at its bittersweet heart is played for keeps.
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By Michelle Orange
To say too much about what actually happens would be to rob you of the film's risks and narrative ripostes. What should be noted is that Capotondi makes ambitious use of an unreliable narrator in a way that is rarely seen in modern films.
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New York Daily News

By Joe Neumaier
A twisty Italian thriller that takes some liberties with its now-you-see-'em/now-you-don't plot points, but no matter; the way director Giuseppe Capotondi keeps us guessing is deliciously, maliciously deft.
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San Francisco Chronicle

By Walter Addiego
The movie's mixture of romance and noir, its air of menace and a certain occasional playfulness suggest the filmmakers have been thinking about Polanski and Hitchcock.
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Orlando Sentinel

By Roger Moore
Not a neat and tidy thriller. It is a most engrossing one, commanding our attention even as the filmmaker tries to slip this or that hole in the plot past us.
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New York Post

By Lou Lumenick
Doesn't always deliver on its twists. But it works well enough that an American remake is in the works.
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Boston Globe

By Ty Burr
What appears at first to be a Euro variation on David Lynch's patented mind games, though, ultimately settles for more conventional pleasures. The movie makes sense, more's the pity, although you may need to see it twice to figure out how.
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The Hollywood Reporter

By Natasha Senjanovic
A smart psychological thriller with the one fatal flaw that Slavic women in Italian television and cinema must be dark, tormented characters who hardly ever smile. In a criminal caper with a twist, this actually works against the story.
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72 out of 100
Generally favorable reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.