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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
It plays like "Bonnie & Clyde" as made by a committee comprised of George Romero, Sam Peckinpah, Tobe Hooper, Sergio Leone and John Waters -- but Zombie still manages to inject a pervasive flavor all his own. Read full review
Zombie fills The Devil's Rejects with thrilling setpieces, pays homage to his inspirations without outright ripping them off (most of the time), brings back some cult-movie icons (hello, Mary Woronov and E.G. Daily), and works in some profanely clever dialogue. Read full review
Here is a gaudy vomitorium of a movie, violent, nauseating and really a pretty good example of its genre. If you are a hardened horror movie fan capable of appreciating skill and wit in the service of the deliberately disgusting, The Devil's Rejects may exercise a certain strange charm. Read full review
If you can stomach the violence -- and despite the R rating, that's a big if -- it's hard to deny that Zombie has made exactly the movie he set out to make, guaranteed to satiate his considerable fan base and sicken just about everyone else. Read full review
Zombie doesn't pretend to be on the side of the victims. He makes no bones about his identification with the sexy outlaw serial killers. Read full review
The Devil's Rejects is a trompe l'oeil experiment in deliberately retro filmmaking. It looks sensational, but there is a curious emptiness at its core. Read full review
A little of this will go a long way. Read full review
Crass, vacuous exercise in grind-house stylistics. Read full review
By rubbing your nose in this hillbilly mayhem, Zombie all but dares you to acknowledge your liberal elitism, simply because just now, in Dubya's America, you don't happen to find anything particularly funny or lovable about stupid, dangerous provincials. Read full review
This is a vile and reprehensible motion picture. Read full review
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