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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
A ferociously entertaining film. Read full review
A new American crime classic from the legendary Martin Scorsese, whose talent shines here on its highest beams. Read full review
It is intriguing to wonder what Scorsese saw in the Hong Kong movie that inspired him to make the second remake of his career (after "Cape Fear"). I think he instantly recognized that this story, at a buried level, brought two sides of his art and psyche into equal focus. Read full review
The very title The Departed suggests a James Joycean take on Irish-Catholic sentiment when, of course, this story is anything but: It's Scorsesean, and he's in full bloom. Read full review
This reworking of a popular Hong Kong picture pulses with energy, tangy dialogue and crackling performances from a fine cast. Read full review
The film's score and editing brilliantly heighten the film's energy, keeping the audience somewhat off-kilter and unsure where things are headed. Read full review
Crackles right along, stopping only long enough for Scorsese's signature bursts of explosive violence. Those brawls feel a bit rote, but what's different here is a newfound playful humor. Read full review
What helps make The Departed at once a success and a relief isn't that the director of "Kundun," Mr. Scorsese's deeply felt film about the Dalai Lama, is back on the mean streets where he belongs; what's at stake here is the film and the filmmaking, not the director's epic importance. Read full review
Frequently excessive but never dull, The Departed is a little too much of a lot of the things that define Martin Scorsese films but it's also almost impossible to resist. Too operatic at times, too in love with violence and macho posturing at others, it's a potboiler dressed up in upscale designer clothes, but oh how that pot does boil. Read full review
There's no attempt at greatness here, just a fabulously successful attempt at a good crime movie. The Oscar-bait self-consciousness of "Gangs of New York" and "The Aviator" is gone. In its place is a buoyancy, an impish delight in telling a harsh urban story in the most effective terms possible. Read full review
5.0
Dave White Profile
Mark Wahlberg is the coolest Read full review