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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
When was the last time you saw a blockbuster that was impeccably executed and simultaneously thought-provoking, audacious and unnerving while consistently being fun and entertaining? Read full review
Bale again brilliantly personifies all the deep traumas and misgivings of Batman's alter ego, Bruce Wayne. A bit of Hamlet is in this Batman. Read full review
"Batman" isn't a comic book anymore. Christopher Nolan's The Dark Knight is a haunted film that leaps beyond its origins and becomes an engrossing tragedy. It creates characters we come to care about. That's because of the performances, because of the direction, because of the writing, and because of the superlative technical quality of the entire production. Read full review
May be the most hopeless, despairing comic-book movie in memory. It creates a world where being a superhero is at best a double-edged sword and no triumph is likely to be anything but short-lived. Read full review
Enthralling...An ambitious, full-bodied crime epic of gratifying scope and moral complexity, this is seriously brainy pop entertainment that satisfies every expectation raised by its hit predecessor and then some. Read full review
At two hours and 32 minutes, this is almost too much movie, but it has a malicious, careening zest all its own. It's a ride for the gut AND the brain. Read full review
Pitched at the divide between art and industry, poetry and entertainment, it goes darker and deeper than any Hollywood movie of its comic-book kind. Read full review
No fair giving away the mysteries of The Dark Knight. It's enough to marvel at the way Nolan -- a world-class filmmaker, be it "Memento," "Insomnia" or "The Prestige" -- brings pop escapism whisper-close to enduring art. Read full review
An action blockbuster extravaganza that's sadder than sad and never pretends otherwise. Read full review
You keep waiting for the movie to clarify, to settle down to its archetypal purity: icon of psychotic evil against icon of neurotic good. Music by Wagner in his "Gtterdmmerung" mood, screenplay by Nietzsche, with additional lines by Babaloo Mandel. Oh, what a great big movie wallow, what a transformational blast of cine-pleasure. It never quite arrives Read full review