Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
To see this seamless "reconstruction" - consisting of some 15 entirely new sequences as well as augmentations to 23 others - is to behold a masterpiece revealed. Read full review
A grand-style, idiosyncratic war epic, with wonderful poetic ideas, intense emotions, and haunting images rich in metaphysical portent. Read full review
Marvin's performance, much enhanced by "The Reconstruction," is a marvel. Read full review
The combination of old-time Hollywood valor and ahead-of-its-time surprises makes this restoration a big event. Read full review
Powerful, humorous, and touching. (Review of Original Release) Read full review
In his lifetime, Fuller longed for a restoration of what he considered his most personal film. Schickel's version is a labor of love that, despite the controversy it is bound to ignite, comes close to fulfilling the director's vision. Read full review
Reissued with the addition of 50 minutes trimmed from the original 1980 cut, Fuller's only A-budget movie is still among the lesser works of this frequently brilliant filmmaker. Read full review
Hard-boiled, filled with action, held together by male camaraderie, directed with a lean economy of action. It's one of the most expensive B-pictures ever made, and I think that helps it fit the subject. "A" war movies are about War, but "B" war movies are about soldiers. (Review of Original Release) Read full review
There are sequences in The Big Red One that you can't forget, and every one of them could have been made better with a bigger budget and a realism that was beyond Fuller's grasp at the time. Read full review
Lee Marvin, it must be said, is terrific as the platoon commander, and Fuller deserves props for the film's one sustained sequence: the D-Day attack, in which the platoon gets pinned on the beach for a hellish eternity. Read full review
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