The Baytown OutlawsMovie Reviews

No
Avg. Critic Score: 33 out of 100 Generally unfavorable reviews Metascore® based on all critic reviews
Information for Parents:
16 Iffy for 16+
Read Common Sense Media review

Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 50
    Film.com | William Goss

    Its ultimate merits may be few, but if nothing else, it stands on its own sweaty terms. Read full review

  • 50
    Salon.com | Andrew O'Hehir

    I'm not sure whether to recommend The Baytown Outlaws as a guns 'n' glory time-waster or warn you off it as a piece of mendacious trash. So I'll do both. Read full review

  • 50
    New York Post | Lou Lumenick

    The tin-earned dialogue and haphazard plotting are more reminiscent of Tarantino's frequent collaborator Robert Rodriguez. Read full review

  • 50
    Variety | Joe Leydon

    A boisterously Tarantinoesque mash-up of cliches, archetypes and bodacious craziness in the tradition of Southern-fried '60s and '70s drive-in fodder, The Baytown Outlaws is the sort of cartoonishly violent and swaggeringly non-PC concoction that defines guilty pleasure for many genre fans. Read full review

  • 40
    Time Out New York |

    It's unclear what drew the likes of Billy Bob Thornton, Eva Longoria and Andre Braugher to this tepid grindhouse retread, but at least they liven up the proceedings whenever they're onscreen. Read full review

  • 40
    The New York Times | Stephen Holden

    The Baytown Outlaws" avidly subscribes to the grindhouse aesthetic of Quentin Tarantino and Robert Rodriguez. If it has the right spit-in-your-face attitude, it has neither the stamina nor the wit to go the distance, although it makes it about two-thirds of the way. Read full review

  • 38
    Slant Magazine |

    This schlocky piece of ultra violence plays like a pop-culture pastiche without a stable thematic foundation. Read full review

  • 30
    The Hollywood Reporter | John DeFore

    A barrage of unbelievable stereotypes try to kill each other in Barry Battles's dispiriting exploitation flick. Read full review

  • 20
    New York Daily News | Joe Neumaier

    Okay, y'all, the never-ending appeal of the Southern-fried crime caper for filmmakers hungry for flavor is back with The Baytown Outlaws. Only here, the drawling accents, screeching tires and sawed-off blasts that rise again don't amount to much. Read full review

  • 0
    New York Observer | Rex Reed

    The resulting mayhem and slaughter is vile and disgusting. Read full review


Information for Parents
Common Sense Media says Iffy for 16+ Action flick has high body count, big guns, little point.
What Parents Need to Know Parents need to know that The Baytown Outlaws follows three bandit brothers who are hired to kidnap a boy and end up blasting their way through scene after scene, leaving a pile of bloody bodies in their wake. Nobody comes off well here:  not the woman (Eva Longoria) who looks like she's trying to save her godson, not the crooked sheriff, and certainly not the gangster (Billy Bob Thornton) who's determined to snuff out the brothers after they raid his home, guns a-blazing. There's near non-stop swearing (including "f--k" in almost every scene) and almost as much violence, including big guns, big explosions, and plenty of secondary characters who get shot to bloody bits. There's also some drinking and smoking, and some sexually suggestive images, including a shot of a woman's naked behind.
  • Families can talk about The Baytown Outlaws' violence. Is it realistic? Is it intended to be? 
  • How does the violence in this movie compare to films by directors like Quentin Tarantino? Is the high body count here trying to say anything in particular, or do you think the goal is to appeal to an audience that likes to see people shooting big guns?
  • Talk about the brothers' relationship with Rob, the disabled teen they're hired to kidnap. Why do they all start to bond? Who really cares the most for Rob -- his godmother or the bandits?
The good stuff
  • message true0 Positive messages: Brothers stick together through thick and thin -- but in this case that means through mayhem and murder. And loyalty here means helping out criminals, especially if they've helped you benefit from their illegal behavior.
  • rolemodels true0 Positive role models: Nobody really comes off looking good. The lawman is corrupt, the main characters are vicious thugs, and the "bad guys" -- defined here as the ones chasing the main characters -- are just as violent. A woman who seems to be trying to help a young man has selfish ulterior motives. In fact, the only person who even shows hints of a heart is a dangerous bandit who reveals a tender side when he must care for a disabled teen.
What to watch for
  • violence false4 Violence: The three main characters are outlaw brothers, guns for hire in the Deep South whose primary business is taking people out, often with big guns at close range. There are bloody shoot outs all through the film and lots of bloody corpses. There are also some intense fist fights, including one scene in which a very large man beats up women. He also snaps a person's neck on-screen. Another scene features a man being dragged behind a motorcycle, screaming, and another man about to get scalped. It's all quite gory and graphic.
  • sex false3 Sexy stuff: A quick shot of a naked woman's backside. Two scenes feature a gang of women who use their sexuality to lure men into lowering their guard before robbing and/or killing them. There's suggestive dialogue and even more suggestive movements as they rub up against their intended prey. A scene in a bar has porn movies running in the background; though the images are blocked, the sounds are obvious. Cleavage/skimpy outfits.
  • language false5 Language: Almost every scene features "f--k" in some permutation. Also frequent use of "s--t," "d--k," "ass," "bitch," and some vulgar references to women and Jews.
  • consumerism false0 Consumerism: Not an issue
  • drugsalcoholtobacco false3 Drinking, drugs and smoking: Several scenes show people drinking and smoking cigarettes. One sequence takes place in a bar with people drinking. Some drug content.

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