• Released
  • October 14, 2011
  • (Limited 10/14)
  • R , 1 hr 45 min
  • Drama
    Suspense/Thriller
70

Salon.com

By Andrew O'Hehir
It's an intriguingly murky B-movie that should satisfy genre buffs.
Full Review
60

Time Out New York

By Keith Uhlich
When it comes to scenes in which characters are asked to say more than two words, however, the filmmaker's a decided amateur; Moretz, in particular, seems hopelessly stranded as the attitudinal wild child.
Full Review
55

Movieline

By Stephanie Zacharek
Moretz brings some natural gravity to a role that hasn't been adequately fleshed out.
Full Review
50

Arizona Republic

By Bill Goodykoontz
The story simply doesn't stand up, with its combination of well-worn plot elements and confusing red herrings -- or maybe they're just details that don't add up.
Full Review
50

indieWIRE

By Eric Kohn
The younger Mann goes through the motions of a gritty murder mystery with plenty of technical proficiency but only a modicum of soul. The Mann touch is not only in the DNA of the director but in her movie, which inadvertently makes the case that atmosphere is more hereditary than innovation.
Full Review
50

The Hollywood Reporter

A just-OK second feature from Ami Canaan Mann – daughter of Michael Mann, one of two credited producers here – and the latest outing for "Avatar" and "Clash of the Titans'" Sam Worthington.
Full Review
50

Chicago Sun-Times

By Roger Ebert
Texas Killing Fields begins along the lines of a police procedural and might have been perfectly absorbing if it had played by the rules: strict logic, attention to detail, reference to technical police work. Unfortunately, the movie often seems to stray from such discipline.
Full Review
50

New York Post

By Lou Lumenick
Basically "csi: East Texas,'' the debut feature of Ami Canaan Mann is long on style and short on coherent storytelling, not unlike numerous efforts by her director dad, Michael, who serves as a producer here.
Full Review
50

Slant Magazine

By Nick Schager
Texas Killing Fields's mood is one of drowning in quicksand, though said atmosphere is the byproduct of both Ami Canaan Mann's often dreamy direction and an editorial structure that intermittently devolves into elliptical incongruity.
Full Review
20

New York Daily News

By Joe Neumaier
Rote, dull and point-blank obvious.
Full Review
49 out of 100
Mixed or average reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.