Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 100
    San Francisco Chronicle | Jonathan Curiel

    An intense, powerful film. Read full review

  • 89
    Austin Chronicle | Marc Savlov

    The most costly and the most popular film in South Korean history is also one of the most gripping and epic war films ever made, and certainly the only one I can think of the portrays the Korean war from the viewpoint of both sides of the conflict. Read full review

  • 88
    Chicago Tribune | Robert K. Elder

    Belongs to that brand of sweeping, conflict-era drama epitomized by "Saving Private Ryan," "Gone with the Wind" and TV miniseries "North and South." Read full review

  • 75
    Seattle Post-Intelligencer | Sean Axmaker

    An anti-war spectacle that uses the story of brothers divided by the 1950 civil war as a metaphor for the wounds of the split. Read full review

  • 75
    Entertainment Weekly |

    Always entertains, just like ''Pearl Harbor'' and the rest of the best of Hollywood's dumb war movies. Read full review

  • 63
    The Globe and Mail (Toronto) | Stephen Cole

    The film is never as powerful or convincing as it should be. Read full review

  • 63
    New York Post | V.A. Musetto

    Shamelessly contrived and manipulative, Tae Guk Gi packs a visceral wallop. Read full review

  • 63
    New York Daily News | Elizabeth Weitzman

    It's hard to remain unmoved by Kang's deeply heartfelt homage to his nation's past. Read full review

  • 60
    TV Guide |

    It's easy to view the story of these brothers as a larger metaphor for the relationship between the two Koreas, which gives the film an added resonance that your typical Hollywood war movie wouldn't possess. Read full review

  • 25
    Christian Science Monitor | David Sterritt

    Almost entirely devoted to combat violence and sentimental interludes. Read full review

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