|
Kenneth Lonergan (Director)
|
Margaret
|
2011
|
|
Anthony Minghella (Executive Producer)
|
Margaret
|
2011
|
|
Scott Rudin (Producer)
|
Margaret
|
2011
|
|
George Clooney (Director)
|
Leatherheads
|
2008
|
|
Anthony Minghella (Director)
|
The No. 1 Ladies' Detective Agency
|
2008
|
|
Chris Menges (Cinematographer)
|
The Reader
|
2008
|
|
Stephen Daldry (Director)
|
The Reader
|
2008
|
|
Roger Deakins (Cinematographer)
|
The Reader
|
2008
|
|
Bob Weinstein (Executive Producer)
|
The Reader
|
2008
|
|
Ann Roth (Costume Designer)
|
The Reader
|
2008
|
|
Anthony Minghella (Producer)
|
The Reader
|
2008
|
|
Harvey Weinstein (Executive Producer)
|
The Reader
|
2008
|
|
Jay Roach (Executive Producer)
|
Recount
|
2008
|
|
Jay Roach (Director)
|
Recount
|
2008
|
|
Anthony Minghella (Executive Producer)
|
Michael Clayton
|
2007
|
|
Steven Soderbergh (Executive Producer)
|
Michael Clayton
|
2007
|
|
George Clooney (Executive Producer)
|
Michael Clayton
|
2007
|
|
Bob Weinstein (Executive Producer)
|
Breaking and Entering
|
2006
|
|
Harvey Weinstein (Executive Producer)
|
Breaking and Entering
|
2006
|
|
Anthony Minghella (Producer)
|
Breaking and Entering
|
2006
|
|
Anthony Minghella (Director)
|
Breaking and Entering
|
2006
|
|
Phillip Noyce (Director)
|
Catch a Fire
|
2006
|
|
Anthony Minghella (Producer)
|
Catch a Fire
|
2006
|
|
Anthony Minghella (Executive Producer)
|
The Interpreter
|
2005
|
|
Darius Khondji (Cinematographer)
|
The Interpreter
|
2005
|
|
Bob Weinstein (Executive Producer)
|
Cold Mountain
|
2003
|
|
Harvey Weinstein (Executive Producer)
|
Cold Mountain
|
2003
|
|
Ann Roth (Costume Designer)
|
Cold Mountain
|
2003
|
|
John Seale (Cinematographer)
|
Cold Mountain
|
2003
|
|
Walter Murch (Editor)
|
Cold Mountain
|
2003
|
|
Anthony Minghella (Director)
|
Cold Mountain
|
2003
|
|
Tom Tykwer (Director)
|
Heaven
|
2002
|
|
Harvey Weinstein (Executive Producer)
|
Heaven
|
2002
|
|
Anthony Minghella (Producer)
|
Heaven
|
2002
|
|
Anthony Minghella (Executive Producer)
|
The Quiet American
|
2002
|
|
Christopher Doyle (Cinematographer)
|
The Quiet American
|
2002
|
|
Phillip Noyce (Director)
|
The Quiet American
|
2002
|
|
Scott Rudin (Producer)
|
Iris
|
2001
|
|
Harvey Weinstein (Executive Producer)
|
Iris
|
2001
|
|
Anthony Minghella (Executive Producer)
|
Iris
|
2001
|
|
Bob Weinstein (Executive Producer)
|
Blow Dry
|
2000
|
|
Harvey Weinstein (Executive Producer)
|
Blow Dry
|
2000
|
|
Arnon Milchan (Executive Producer)
|
Up at the Villa
|
2000
|
|
Ann Roth (Costume Designer)
|
Random Hearts
|
1999
|
|
Philippe Rousselot (Cinematographer)
|
Random Hearts
|
1999
|
|
John Seale (Cinematographer)
|
The Talented Mr. Ripley
|
1999
|
|
Walter Murch (Editor)
|
The Talented Mr. Ripley
|
1999
|
|
Ann Roth (Costume Designer)
|
The Talented Mr. Ripley
|
1999
|
|
Anthony Minghella (Director)
|
The Talented Mr. Ripley
|
1999
|
|
Bob Rafelson (Director)
|
Poodle Springs
|
1998
|
|
Jon Avnet (Executive Producer)
|
Poodle Springs
|
1998
|
|
Remi Adefarasin (Cinematographer)
|
Sliding Doors
|
1998
|
|
Peter Howitt (Director)
|
Sliding Doors
|
1998
|
|
Frank Pierson (Executive Producer)
|
Never Again, Forever
|
1996
|
|
Ann Roth (Costume Designer)
|
Sabrina
|
1995
|
|
Giuseppe Rotunno (Cinematographer)
|
Sabrina
|
1995
|
|
Scott Rudin (Producer)
|
Sabrina
|
1995
|
|
Ang Lee (Director)
|
Sense and Sensibility
|
1995
|
|
Scott Rudin (Producer)
|
The Firm
|
1993
|
|
John Seale (Cinematographer)
|
The Firm
|
1993
|
|
Philippe Rousselot (Cinematographer)
|
Flesh and Bone
|
1993
|
|
Steven Zaillian (Director)
|
Searching for Bobby Fischer
|
1993
|
|
Conrad L. Hall (Cinematographer)
|
Searching for Bobby Fischer
|
1993
|
|
Scott Rudin (Producer)
|
Searching for Bobby Fischer
|
1993
|
|
Ralf Bode (Cinematographer)
|
Leaving Normal
|
1992
|
|
Edward Zwick (Director)
|
Leaving Normal
|
1992
|
|
Kenneth Branagh (Director)
|
Dead Again
|
1991
|
|
David S. Ward (Director)
|
King Ralph
|
1991
|
|
Owen Roizman (Cinematographer)
|
Havana
|
1990
|
|
Gordon Willis (Cinematographer)
|
Presumed Innocent
|
1990
|
|
Alan J. Pakula (Director)
|
Presumed Innocent
|
1990
|
|
Lajos Koltai (Cinematographer)
|
White Palace
|
1990
|
|
Michael Ballhaus (Cinematographer)
|
The Fabulous Baker Boys
|
1989
|
|
James Bridges (Director)
|
Bright Lights, Big City
|
1988
|
|
John Bloom (Editor)
|
Bright Lights, Big City
|
1988
|
|
Gordon Willis (Cinematographer)
|
Bright Lights, Big City
|
1988
|
|
David Watkin (Cinematographer)
|
Out of Africa
|
1985
|
|
Milena Canonero (Costume Designer)
|
Out of Africa
|
1985
|
|
Alan Rudolph (Director)
|
Songwriter
|
1984
|
|
Owen Roizman (Cinematographer)
|
Tootsie
|
1982
|
|
Owen Roizman (Cinematographer)
|
Absence of Malice
|
1981
|
|
Jerry Schatzberg (Director)
|
Honeysuckle Rose
|
1980
|
|
Robby Müller (Cinematographer)
|
Honeysuckle Rose
|
1980
|
|
Owen Roizman (Cinematographer)
|
The Electric Horseman
|
1979
|
|
Raymond Stark (Producer)
|
The Electric Horseman
|
1979
|
|
Henri Decaë (Cinematographer)
|
Bobby Deerfield
|
1977
|
|
Owen Roizman (Cinematographer)
|
Three Days of the Condor
|
1975
|
|
Raymond Stark (Producer)
|
The Way We Were
|
1973
|
|
Harry Stradling, Jr. (Cinematographer)
|
The Way We Were
|
1973
|
|
Margaret Booth (Editor)
|
The Way We Were
|
1973
|
|
Henri Decaë (Cinematographer)
|
Castle Keep
|
1969
|
|
Irwin Winkler (Producer)
|
They Shoot Horses, Don't They?
|
1969
|
|
James Wong Howe (Cinematographer)
|
This Property Is Condemned
|
1966
|
|
Edith Head (Costume Designer)
|
This Property Is Condemned
|
1966
|
|
John Houseman (Producer)
|
This Property Is Condemned
|
1966
|
|
Edith Head (Costume Designer)
|
The Slender Thread
|
1965
|
|
Loyal Griggs (Cinematographer)
|
The Slender Thread
|
1965
|