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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Even when the script slips into sentiment, Peirce sticks with her troubled, questing soldiers, and through this raw and riveting movie, they stick with us. Read full review
Clearly, Peirce's motives are pure. She's not using the "stop-loss" issue as a wedge to make the government or the administration look bad. She's using it to dramatize an injustice and to advocate on behalf of the soldiers. Read full review
It's a remarkably entertaining movie, thanks in part to a first-rate cast and a director who knows you can't make a point without calling everyone to attention. Read full review
Stop-Loss is a film that does it right. Read full review
A painfully polite Iraq war drama pitched at the MTV generation. Read full review
It's an uneven experience, with some evocative moments and others that don't resonate as much as they should. Read full review
Ms. Peirce's movie, which she wrote with Mark Richard, is not only an earnest, issue-driven narrative, but also a feverish entertainment, a passionate, at times overwrought melodrama gaudy with violent actions and emotions. Read full review
A young cast and hotheaded melodramatic streak make it broadly accessible, perhaps enough so to help the film scrape past boxoffice challenges faced by other Iraq-centered features. Read full review
Swamped by clichs, continuity problems, stock characters and very good intentions. Read full review
A wildly uneven drama, by turns sincere and synthetic. Read full review
4.5
Dave White Profile
it let the other side off too easy. Read full review