Virtually Suspenseless

By Cinebear
Written September 26, 2016
Weak in the plot department, good performances by Kidman and Wasikowska, but Goode lacked the charisma for the charismatic part... Just added up to very little at the end, although artfully done. I was hoping for more.
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Nature or nurture? What may make a human commit muder?

By Squirrel Dude
Written December 02, 2016
I watched "Stoker" last week, and finally have the chance to say, I liked this movie! I had the choice to see this or "GI Joe." Speaking only for myself; I made the correct decision! This is an interesting story that unfolds. The movie's characters are played out quite good - two of the main characters are a little creepy. What makes a person commit, or want to commit violent crime (murder)? Are we born that way or do we learn it? Maybe it depends upon the person? Of course this film is merely fiction, but it's an interesting tale of human relationships (or lack of), psycho-sexual (deviant) development, and ethics/morality. Who among us is a sociopath? What secrets do some families have and hide?
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A film lover's film

By divadcarroll
Written August 26, 2016
My buddy and I spent over 30 minutes discussing the movie afterwards. From the unique credits to the multiple visual layers to the deliberate development of the characters and plot we found ourselves completely engrossed in the film. We concluded we would catch even more if we saw it again.
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Stoker Stinks

By Jonire
Written February 25, 2017
The worse movie to be sure ever made by Nicole Kidman. When it was only myself and my friend in the theatre I should have known. The movie was so bad we got up and walked out. Save your $$$ not worth a Red Box 1.00 investment! Don't take the kids.... don't go!
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dreamy munster family but spooky, not funny

By Seric26
Written March 01, 2017
Lots of creepy stuff here, beautifully shot. The trick is not to take it as realism; it may all be one unfolding dream, or told by unreliable narrators, or meant to be taken symbolically. The script is not as strong as the directing or acting, though it has some great ideas that aren't sufficiently developed. But Mia Wasikowska creates an indelible screen presence. She's sort of the same as she was in Jane Eyre, but if that little girl had been spoiled rather than sent to an orphange where she was taught how to behave. Like Jane, she has a crucible to navigate against the challenges of an irascible male and an unreliable female who are, in their ways, as complicated and dark as she is. Everyone else better just keep out of their archetypal paths of collision!
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