Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
The chilling and stylish and aggressively creepy Stoker begins at the end and takes us on a shocking and lurid journey before we land right where we started, now seeing every small detail through a different lens. It's disturbingly good. Read full review
For as long as Park and Wasikowska keep it burbling, it's an intoxicating brew. Read full review
Park's unsettling visuals and his handling of the cast make the occasional holes in Wentworth Miller's script practically irrelevant. Read full review
A beautifully twisted, slow-burning psychothriller that may or may not all be taking place inside India's head. Read full review
Stoker is Park's darkly funny, deliciously depraved riff on Hitchcock's "Shadow of a Doubt." Read full review
The performances are excellent, but it’s the direction that lifts the movie up and spins it around. Like Hitchcock, Park storyboards everything ahead of time, and while that level of control might seem claustrophobic in theory, it ends up freeing Stoker to sail into zones of malevolent visual sensuality. Read full review
The movie wants to be Hitchcockian, but it's the flat-footed Hitchcock of "Marnie" that Park evokes. His filmmaking here is hermetic and lugubrious, with each physical movement meaninglessly heightened and every line hanging in the air with (empty) significance. Read full review
Stoker is like the baby David Lynch and Tim Burton had, then left on the doorstep of the Addams Family. Full of heavingly gorgeous images that envelop a viewer before smothering them, its maddening elements eventually become too much to bear. Read full review
Spontaneity has been banished by rigid stylization, and the net effect is as lifeless as a severed head that turns up in a basement freezer. Read full review
The movie reveals itself as not merely dull, but pointless. Read full review
3.5
Dave White Profile
Served cold. Read full review