Glenn Ford is top-billed in Man From Colorado, though he's anything but a hero. Ford plays a seriously disturbed Civil War...
|
Art Director
|
1949
|
In this whimsical fantasy, a young girl suddenly discovers that her horse is really a reincarnation of her beloved uncle who...
|
Art Director
|
1948
|
|
Art Director
|
1948
|
Susan Peters, a fine actress of the 1940s whose career was curtailed by an accident which left her wheelchair-bound, utilizes...
|
Art Director
|
1948
|
So often wasted in passive roles, Evelyn Keyes is virtually the whole show in The Mating of Millie. Keyes is cast as pretty...
|
Art Director
|
1948
|
|
Art Director
|
1948
|
Columbia kept insisting upon placing its hottest new star Larry Parks in swashbucklers, and though Parks wasn't really suited...
|
Art Director
|
1948
|
The Lady From Shanghai, a complex, involving puzzle-within-a-puzzle mystery story, is a showcase for Orson Welles, showing...
|
Art Director
|
1948
|
The relatively relaxed movie censorship in the postwar years enabled Columbia to produce To the Ends of the Earth, a film...
|
Art Director
|
1948
|
|
Art Director
|
1948
|
In Dead Reckoning, Rip Murdock (Humphrey Bogart) recites the film's plotline to a priest in the confessional. Murdock and...
|
Art Director
|
1947
|
Lucille Ball offers a seminal version of her Lucy Ricardo TV character in Her Husband's Affairs. Ball is cast as Margaret...
|
Art Director
|
1947
|
Private detective Franchot Tone is hired by a prominent politician (Tom Powers) to run a background check on the politician's...
|
Art Director
|
1947
|
|
Art Director
|
1947
|
Three years after song-and-dance man Dick Powell reshaped his nice-guy image by playing hard-boiled gumshoe Phillip Marlowe...
|
Art Director
|
1947
|
|
Art Director
|
1947
|
A man down on his luck runs afoul of a beautiful but dangerous woman in this superior low-budget film noir. Mike Lambert...
|
Art Director
|
1947
|
Reminiscent of the classic "screwball" comedy-mysteries of the prewar years, Columbia's The Corpse Came C.O.D stars Warner...
|
Art Director
|
1947
|
|
Art Director
|
1947
|
In this drama, a soldier's widow, whose husband died a hero in WW II, begins a quest to find the five men whose lives were...
|
Art Director
|
1947
|
The watery world of the Coast Guard provides the setting for this musical that is loosely based on the famed Guard show Tars...
|
Art Director
|
1946
|
The Columbia mystery melodrama The Walls Came Tumbling Down is regarded in many circles as star Lee Bowman's finest...
|
Art Director
|
1946
|
Whenever budget-conscious Columbia laid out good money for Technicolor in the 1940s, it was usually for a musical or an "A"...
|
Art Director
|
1946
|
Though legendary entertainer Al Jolson was a highly visible presence on the U.S.O. circuit during World War II, he was...
|
Art Director
|
1946
|
This A-minus musical stars Evelyn Keyes in the uncharacteristically comic role of Vicki Dean, the divorce-bound wife of...
|
Art Director
|
1946
|
MGM knew it had a valuable property in Red Skelton, but the studio never really knew how to handle his unique talents --...
|
Art Director
|
1946
|
When wealthy Ballin Mundson (George Macready) rescues down at his heels gambler Johnny Farrell (Glenn Ford) and invites him...
|
Art Director
|
1946
|
Columbia's Mr. District Attorney was the second attempt to launch a film series based on the popular radio series of the same...
|
Art Director
|
1946
|
Meet Me on Broadway is a pocket Columbia musical about aspiring performers and a shoestring production (though the dialogue...
|
Art Director
|
1946
|
The Technicolor swashbuckler Bandit of Sherwood Forest stars Cornel Wilde as Robert of Nottingham, son of the legendary Robin...
|
Art Director
|
1946
|
Producer/director William A. Wellman also co-scripted this biopic devoted to John J. Montgomery (Glenn Ford), the unsung...
|
Art Director
|
1946
|
In this comedy, a Chicago team of radio scriptwriters must split up when he takes a job with his bride-to-be's father, and...
|
Art Director
|
1946
|
|
Art Director
|
1946
|
|
Art Director
|
1946
|
There were some theatres in 1946 that refused to display the anagramatic title of this film on their marquees: it was, after...
|
Art Director
|
1945
|
This drama is based on a Broadway play, One Against Seven, which in turn is based on the Russian play Pobyeda. Set during WW...
|
Art Director
|
1945
|
Rosalind Russell plays yet another independent career woman in She Wouldn't Say Yes. This time she's a psychiatrist who sees...
|
Art Director
|
1945
|
Based on a play by Leslie Storm, Tonight and Every Night is a musical wartime morale booster in which star Rita Hayworth is...
|
Art Director
|
1945
|
Columbia Pictures' entree into the swashbuckling genre was the opulent 18th century costumer The Fighting Guardsman. Willard...
|
Art Director
|
1945
|
|
Art Director
|
1945
|
If there were any doubts that little Shirley Temple was all grown up by 1945, those doubts were disippated by her appearance...
|
Art Director
|
1945
|
Based on a play by Ruth Gordon, Over 21 represents the felicitous teaming of two middle-aged but attractive film favorites....
|
Art Director
|
1945
|
The title Together Again referred to the fact that frequent costarsIrene Dunne and Charles Boyer were once more united on...
|
Art Director
|
1944
|
Newspaper reporter Marion Hargrove's best-selling novel was adapted to the screen by MGM as a vehicle for Robert Walker. The...
|
Art Director
|
1944
|
Allen R. Kerward's flagwaving stage play Proof thro' the Night was vastly improved in its screen adaptation, which was...
|
Art Director
|
1943
|
In most of his movie vehicles, bandleader Kay Kyser played a bandleader named Kay Kyser. In Swing Fever, however, Kyser is...
|
Art Director
|
1943
|
Playwright Lillian Hellman first wrote of the horrible Hubbard family in her 1939 play The Little Foxes. In this lavish 1941...
|
Production Designer
|
1941
|
The first of director Frank Capra's independent productions (in partnership with Robert Riskin), Meet John Doe begins with...
|
Art Director
|
1941
|
On the verge of superstardom, Rita Hayworth played in scores of minor dramas like Homicide Bureau, an entertaining little...
|
Art Director
|
1939
|
I Am the Law is arguably the best of the late-1930s films inspired by the racket-busting career of New York district attorney...
|
Art Director
|
1938
|
In this comedy, wealthy girls attend boarding school to learn proper etiquette. The well-mannered character of the class is...
|
Art Director
|
1938
|
Both film versions of Phillip Barry's stage comedy Holiday have their merits, but the 1938 version has the added advantage of...
|
Art Director
|
1938
|
The plot of She Married an Artist is summed up by the title, as was often the case in such 1930s romantic comedies. European...
|
Art Director
|
1938
|
Capitalizing on the success of MGM's Thin Man series, virtually every major studio of the 1930s came up with its own...
|
Art Director
|
1938
|
Who Killed Gail Preston? gets off to a rousing start with a nocturnal prison break which turns out to be the prelude for a...
|
Art Director
|
1938
|
|
Art Director
|
1938
|
Start Cheering is Columbia Pictures' idea of a college musical: Practically everyone in the cast is past the age of 30....
|
Production Designer
|
1938
|
|
Art Director
|
1938
|
In this crime drama, an evil ex-con makes his living selling cheap booze masked under expensive labels. He runs a drugstore...
|
Art Director
|
1937
|
|
Art Director
|
1937
|
No relation to the radio program of the same name, The Shadow is a lightning-paced murder mystery with a Big Top background....
|
Art Director
|
1937
|
It took British author James Hilton six weeks to write his visionary novel Lost Horizon. It took director Frank Capra two...
|
Production Designer
|
1937
|
In this tuneful, romantic drama, an Australian opera star (Grace Moore) wants to perform in a major U.S. festival but cannot...
|
Art Director
|
1937
|
Marked Woman was the most famous of the late-1930s films based on New York DA Thomas Dewey's attack on vice lord Lucky...
|
Art Director
|
1937
|
|
Art Director
|
1937
|
In this romance, a secretary is awarded a legacy. Later she meets a male secretary who begins protecting her from an...
|
Art Director
|
1937
|
Josef Von Sternberg, past directorial master of movie exotica, came down to earth with The King Steps Out, a major studio...
|
Art Director, Set Designer
|
1936
|
In his only visit to Columbia Pictures, Paramount's resident crooner Bing Crosby stars in a sentimental musical drama. In...
|
Art Director
|
1936
|
When a car crash ends the life of a fabulously wealthy patron of the arts, the decedent's $20,000,000 fortune is inherited by...
|
Art Director
|
1936
|
After six years' worth of tragic and noble roles, Irene Dunne began a new phase in her career as a top comedienne in Theodora...
|
Art Director
|
1936
|
After several light comedy roles, Rosalind Russell proved her salt as a dramatic film actress in this 1936 adaptation of...
|
Art Director
|
1936
|
|
Set Designer
|
1935
|
|
Art Director
|
1935
|
When he's shipped off to prison on a tax-evasion charge, millionaire Van Dyke (Walter Connolly) breathes a sigh of relief: at...
|
Art Director
|
1935
|
A curse pronounced upon land baron DeBerghmann has devastating long-range consequences for his twin sons Gregor and Anton....
|
Art Director
|
1935
|
Frank Capra's seminal screwball comedy, which won all five major Academy Awards for 1934, is still as breezy and beguiling...
|
Art Director
|
1934
|
After several false starts, opera star Grace Moore became a motion picture success in the sublimely assembled One Night of...
|
Art Director
|
1934
|
May Robson plays Apple Annie, a slatternly Broadway apple peddler. Annie has a curious setup whereby she is able to finagle...
|
Art Director
|
1933
|
A rather bleak comedy-drama from Frank Capra, Platinum Blonde basically starts where Capra's later and much more buoyant It...
|
Art Director
|
1931
|
In this comedy, a plumbing magnate's son, who has started on the bottom rung of his father's business, is hired to fix the...
|
Set Designer
|
1930
|
Are You There? is a characteristically lumpy but enjoyable early-talkie musical from Fox Studios. Broadway luminary...
|
Art Director
|
1930
|
In the first years of the talkies, every studio drew up plans to release annual "all-star" musical spectacles, but only Fox...
|
Art Director
|
1930
|
In this drama an unattractive, dour German businessman leaps out of a flying plane after learning that his wife only married...
|
Art Director
|
1930
|
This sprightly romantic comedy chronicles the delightfully unlikely and tempestuous relationship between an opera diva and a...
|
Art Director
|
1930
|
Made in 1930, this well-known sci-fi musical chronicles the adventures of a lightning-struck man who awakens to find himself...
|
Art Director, Set Designer
|
1930
|
|
Art Director
|
1929
|
|
Art Director
|
1929
|
|
Art Director
|
1928
|
|
Art Director
|
1928
|
Future "Hopalong Cassidy" William Boyd essays the title role in Pathe's The Cop. It all begins when likeable police sergeant...
|
Art Director
|
1928
|
Long before Richard Harding Davis' "Gallegher" stories were serialized for television by Walt Disney, popular silent-screen...
|
Art Director
|
1928
|
The piquant Leatrice Joy starred in this frothy marital comedy about a wife who leaves her boring husband (John Boles) to be...
|
Art Director
|
1928
|
|
Art Director
|
1928
|
Such was Richard Barthelmess' popularity in 1927 that audiences were willing to sit through all 12 reels (approximately 130...
|
Art Director
|
1927
|
This 12-reel silent adaptation of The Sea Hawk is far more faithful to the Rafael Sabatini original than the 1940...
|
Art Director
|
1924
|
Ostensibly a vehicle for Jackie Coogan, the 1922 Oliver Twist refuses to realign the Charles Dickens novel to accommodate the...
|
Production Designer
|
1922
|
Although it sounds ludicrous to slap a black wig on vivacious blonde Constance Talmadge and try to pass her off as a Chinese...
|
Art Director
|
1922
|
A visually stunning if somewhat overblown melodrama, The Love Light was directed by Mary Pickford's close friend and...
|
Art Director
|
1921
|