Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
A French comedy that pitches for wit over broad comedy, it's successful in salting what could be a over-sugary confection with healthy dose of wryness. The result is always entertaining and rarely mawkish. Read full review
There are certain plot points in Starbuck, it's true, that either don't make much sense or are simply underexplained. But the picture is so breezily warm, without being too insistently ingratiating, that those flaws don't matter much. Read full review
It’s a smidge too cute and a bit too long, but Huard and Scott make this comical journey (in French and “Franglish” with English subtitles), a trip from indifference to kindness, incompetence to responsibility, a most rewarding reinvention of what “family” can mean. Read full review
Starbuck is unapologetic genre filmmaking with a winning performance from its lead, Huard ( Bon Cop, Bad Cop), a shambling, likeable comedian who can flip, flop and fly off a diving board while maintaining his sex appeal. Read full review
Scott keeps the story from becoming cloying and sentimental. He is aided by smart, low-key work from his cast, especially Huard, who easily embodies the persona of an adult slacker, instilling him with a warm charm. Read full review
A lovable underachiever unwittingly spawns his own village in Starbuck, Ken Scott's crowd-pleasing comedy exploring various meanings of fatherhood in the modern age. Read full review
A high-concept comedy that peddles some slapstick laughs and life lessons but little insight. Read full review
Starbuck is one of those high-concept yet formulaic, sitcom-like comedies that gets by on charm and speed. It is manipulative and ingratiating but totally worth your time if you manage to pass one crucial test: Does French-Canadian actor Patrick Huard's smile make you happy? Read full review
You do have to give Starbuck credit for engineering perhaps the largest group hug ever put on film. Read full review
Five or 10 children might have led to comedy; 533 of them make for farce. All the same, Mr. Huard is endearing in the role of a perpetual adolescent who finally wants to stand up to his responsibilities, which include the one baby he has fathered the traditional way, and in his own name. Read full review
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