• Released
  • May 3, 2013
  • (Limited)
  • NR , 2 hr 2 min
  • Art House/Foreign
    Drama
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100

The Hollywood Reporter

By David Rooney
This is a beautifully crafted work and an acute evocation of its period both in look and attitude, and it’s no less deeply absorbing for being somewhat muted in tone.
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100

Variety

By Justin Chang
Decidedly not revolutionary cinema, Something in the Air instead quietly demystifies its subject. The tone of the piece is wryly affectionate but never indulgent; the experiences depicted feel emotionally true and lived-in without ever catching the viewer up in a rush of intoxication or excitement.
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100

Village Voice

By Stephanie Zacharek
In Something in the Air, that past—a version of Assayas's own—is rendered in visuals so specific and evocative, it's perpetually alive.
Full Review
91

Film.com

It proves that the screen is the place where a memory can be reborn.
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90

Los Angeles Times

By Betsy Sharkey
Assayas has such a steady hand as a director, he knows precisely how to let all of Gilles' inner angst play out. His nostalgia for those past days can be felt in the affection and forgiving way the indiscretions of youth are portrayed.
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88

Boston Globe

By Ty Burr
With a minimum of melodrama and a fluid camera style that weaves restlessly in and out of the throng, Something in the Air is attentive to the users and the used in this generation of supposed equals. There’s no anger to the film, though, and what sometimes feels like passivity is really just the fond, unromantic gaze of an artist carefully considering his younger self.
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83

The A.V. Club

By A.A. Dowd
Because of its autobiographical slant, Something In The Air has been compared to Assayas’ 1994 breakthrough, "Cold Water," which gazed upon roughly the same period of the director’s life.
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80

New York Daily News

By Elizabeth Weitzman
Assayas may have been inspired by biographical memories, but “Air” is so sensitively observed that it simultaneously evokes a universal, and eternal, state of adolescence as well.
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80

Arizona Republic

By Bill Goodykoontz
Where Assayas’ film really shines is in capturing that feeling, when adolescence is stumbling awkwardly toward adulthood, that the most important thing in the history of the world is the thing that is occupying your thoughts and emotions at this particular moment.
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75

Chicago Sun-Times

By Jim Emerson
Assayas looks back on the values and priorities of the time with a vision that’s both wry and tender.
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76 out of 100
Generally favorable reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.