Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Diane Keaton can still sink her actorly teeth into a wacked-out character, and Vince Di Meglio's screwball comedy provides her with one of her best purely comedic roles since "Annie Hall." Read full review
With its mixture of high-profile talent and low-watt comic inspiration, Smother feels like the sort of misbegotten curiosity Comedy Central uses to fill its Sunday afternoon programming. Read full review
A promising effort that doesn't cohere into anything more, Smother never fully comes to life. Read full review
It's very sad to watch Keaton here. In the most excruciating scene, she gets drunk in a bar, staggers up to a microphone and starts to sing, or rather squawk. For those of us who still revere Annie Hall and her blissfully unaffected rendition of "Seems Like Old Times," this is sacrilege. Read full review
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