Written August 01, 2014
If you can put the plausibility factor setting at mid point you will probably enjoy this yarn with Jude Law carrying the weight of this story. There are several gaps in the storyline that stretch things thin. A few surprises do ensue and you are caught by some that are credible but thinly so..
On a scale of 1 - 10 with 10 being out of this world I'd give it a 6.4.
Written July 25, 2014
This movie is full of twists and turns. It plays out like a murder thriller, but it's so much more than that. There's a great deal of attention placed on the drug industry and the pills they push knowing that there are deadly side effects. However, there are several layers at play. Is someone trying to exploit those weaknesses in the drug industry to get away with murder? There are subtle hints throughout and plenty of shocking revelations. Jude Law is terrific, but Channing Tatum has a minor role and is only in the first quarter of the film.
Written February 14, 2013
I am truly appreciative of how critics and bloggers have, for the most part, made an effort not to spoil the twists of this movie. I don't know how to describe it actually without giving anything away. All I will say is that it starts out one thing and ends up as another and you won't glean anything by watching the trailers & tv spots. This is Soderbergh doing DePalma doing Hitchcock. Rooney Mara will knock your socks off and both Catherine Zeta Jones and Jude Law haven't had parts this juicy in a long time. Definitely worthy of your time and the price of admission.
Written February 15, 2013
I can't say its a 5 star picture but its certainly worth the admission price - my husband and I both really liked it - it has alot of turns you won't expect - but pay attention! don't miss anything!
Written November 22, 2013
Drugs and depression. Steven Soderbergh takes both head-on.
Emily Taylor’s life is on the brink of total collapse
after waiting for four years for her husband to get out of prison. Then she encounters Doctor Jonathan Banks.
He tries his best to help her. There is copious drug use. Emily’s condition begins to improve, but then tragedy strikes, and it threatens to bring them down.
The viewer envies the characters and their glamorous lives, even more so as they destroy themselves. The viewer needs to remind themself that these characters do not exist, and this is a fiction. In the end it is not drug use that is being criticized, but rather the avaricious soul-sucking void, the characters' needs to engulf their surroundings, and the sociopathic culture that made them this way
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