100

Empire

Perfomances are excellent, and despite its moralistic conclusion, the film has since become de rigueur viewing for crack barons, who know a good shoot-em-up when they see one.
Full Review
100

TV Guide

A beautiful, at times poetic exercise in excess from Brian De Palma.
Full Review
100

Chicago Sun-Times

By Roger Ebert
Scarface is one of those special movies, like "The Godfather," that is willing to take a flawed, evil man and allow him to be human.
Full Review
90

The New York Times

By Vincent Canby
Scarface is the most stylish and provocative - and maybe the most vicious - serious film about the American underworld since Francis Ford Coppola's "Godfather."
Full Review
80

Time

By Richard Corliss
It is a serious, often hilarious peek under the rock where nightmares strut in $800 suits and Armageddon lies around the next twist of treason.
Full Review
80

Variety

Scarface is a grandiose modern morality play, excessive, broad and operatic at times.
Full Review
63

The Globe and Mail (Toronto)

By Jay Scott
Scarface is a B- movie with singularly silly psychological pretensions: its neo-primitivism is to the complex moral cosmos of Francis Coppola's "Godfather" saga as Disney is to Dickens. [09 Dec 1983]
Full Review
25

Boston Globe

By Jay Carr
It plays like a crude "Godfather" parody, the sort that might amuse as a 10-minute sketch on "Saturday Night Live," but curdles and collapses as a 143-minute film. [09 Dec 1983]
Full Review
20

Chicago Reader

By Dave Kehr
Brian De Palma dedicates this 1983 feature to Howard Hawks and Ben Hecht, authors of the 1932 original, though I doubt they would find much honor in his gory inflation of their crisp, 90-minute comic nightmare into a klumbering, self-important, arrhythmic downer of nearly three hours.
Full Review
65 out of 100
Generally favorable reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.