Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Savannah gets by on touches of grace and spirited performances, especially by Caviezel. After being so serious for so very long, it’s great fun to see him take on a “genuine character” with all the boozing, brawling and shooting that entails. Read full review
Despite an effective Jim Caviezel, this anecdotal drama never rises above the level of lightly likable. Read full review
Annette Haywood-Carter’s slow-paced film features a plethora of colorful characters and incidents that register with little dramatic impact. Read full review
The film’s tale ends up being less rich than its lovely Georgia settings. Read full review
Savannah does attempt to tell the story of the friendship of those two accomplished men, but does so in a manner that is so astonishingly tone deaf, confused and narrowly focused that it leaves you almost amazed at the lack of vision behind the entire enterprise. Read full review
Director Annette Haywood-Carter films the proceedings with a sepia-tinged prettiness, but this is a Southern “Downton Abbey,” minus the loopy plot turns and wisecracks that make that series so addictive. Read full review
A dull vanity project for the Southern highborn. Read full review
Savannah should win some sort of award for most amount of times you’ll ask, “They roped that guy into this turkey, too?”
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The movie’s story is limp, its romances are flightless and — despite the talented cast — its performances are toothless. Read full review
The story overflows with reverence but is drastically short on passion or suspense. Read full review
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