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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Money, madness, incest and murder! Just the recipe for a twisted mesmerizer of a movie, if it doesn't creep you out. Read full review
U.S. viewers may be put off by its tangled sexual motifs and find its implied social critique a little close to the bone. But even Stateside, Julianne Moore, in her most challenging role in years, will win plaudits and attract mature audiences to a thoroughly absorbing and polished piece of work. Read full review
The director, Tom Kalin, stages acid duels, but he should have provided more psychological structure. Though Moore, a great actress, turns fury into verbal music, we're never quite sure what's driving her. Read full review
Living these lives, for these people, must have been sad and tedious, and so, inevitably, is their story, and it must be said, the film about it. Read full review
It's tough to think of another film in which sex between a mother and her son is not necessarily the worst thing that happens. Read full review
Savage Grace is a thoroughly disturbing story, told in a detached style rendering the overall experience an unsettling blend of lurid and vacuous. Read full review
Scripter Howard A. Rodman's treatment of an enthralling book is more a series of vignettes rather than a fully connected work, and helmer Tom Kalin seems unable to decide how much Sirkian melodrama to introduce into the heady mix. Gone are the reasons to be fascinated with these people, merely replaced with maddeningly over-arch dialogue and struggles with characterization. Read full review
Proust might have known what to do with the Baekelands, but Mr. Kalin and Mr. Rodman don't make much more of them than the mess they apparently already were. Read full review
What Kalin fails to provide in the slightest degree is energy. The movie just sloshes along in a heavy, slightly overdone way. Read full review
An unbroken flow of sad or nasty incidents. Read full review