Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Unabashedly pulpy, Rushlights brings to mind the noir cheapies churned out by the studios of Hollywood’s Poverty Row in the early 1950s. It has a few of the better qualities of sub-B noir—above-average camerawork, a rogues gallery of bit players — and all of the flaws. Read full review
A by-the-numbers thriller that wouldn’t even have made for a particularly good hourlong episode of a weekly crime procedural, never mind an honest-to-God feature-length movie. Read full review
The endless hidden connections and coincidences eventually become ridiculous. Read full review
When it comes to film plotting, too many twists just result in an annoying tangle. And there are too many twists in Antoni Stutz’s uninvolving Rushlights. Read full review
If ever a movie signaled that the Quentin Tarantino copycat age of empty-headed wink-wink genre rehashing is still with us, Rushlights is that movie. Read full review
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