• Released
  • November 15, 2002
  • Psychological Drama
    Thriller
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80

Chicago Reader

By Jonathan Rosenbaum
Just about everyone in this sharp, passionate feature is chillingly good.
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80

The New York Times

By Dana Stevens
An unadorned, unsparing chronicle of a young man's descent into a nightmare of delusion, paranoia and self-destructive behavior.
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80

Los Angeles Times

By Kevin Thomas
Revolution #9, which is absorbing and terse, has some subtle, welcome comic relief from Spalding Gray.
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70

TV Guide

By Ken Fox
By alternating between Jackson's and Kim's point of view, McCann shows both sides of the story: the panicky fear of the paranoid schizophrenic -- the arrhythmic editing and Marshall Grupp's masterful sound design convey a sense of dislocation and shifting reality -- and the bewilderment and frustration of the people who try to help him.
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70

Village Voice

By Dennis Lim
While the ideas about techno-saturation are far from novel, they're presented with a wry dark humor.
Full Review
70

Variety

By Scott Foundas
Looks with fresh eyes at a new millennium in which, seemingly, the entire world is bought and sold in neatly wrapped packages engineered for mass consumption.
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63

New York Post

By Megan Lehmann
McCann weaves in a somewhat toothless condemnation of a bureaucracy that forsakes the mentally ill, but Revolution # 9 works better as an inside look at one person's slide into madness -- and, more particularly, the impact of that on his loved ones.
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63

New York Daily News

By Jack Mathews
McCann's point of view overwhelms the human elements of his story, but this is, nonetheless, a riveting piece of filmmaking.
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50

The A.V. Club

By Scott Tobias
Though woefully oblique and underdeveloped, writer-director Tim McCann's Revolution #9 attempts the difficult task of burrowing into the fractured mind of a modern man who loses his grip on reality.
Full Review
40

L.A. Weekly

By Ernest Hardy
So riddled with unanswered questions that it requires gargantuan leaps of faith just to watch it plod along, while McCann's overly broad strokes miss crucial details as he tries to mount an attack on both the power of the media and an indifferent medical profession.
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63 out of 100
Generally favorable reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.