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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
It's still dynamite, the kind of sexy, paranoid, creepily atmospheric picture that invades all your senses at once. Read full review
A spellbinding, intelligent thriller that takes its time to get where it's going but is well worth the trip. Read full review
The movie's intense focus skillfully exposes the raw pain just under the skin of a seemingly ordinary citizen. Read full review
Though not flawless, this is a compelling study, in Dogme style, of a wounded young woman who spends her working life spying on others. Read full review
You might call the film "Rear Window Times 100." Read full review
In the arresting Red Road, the dire Orwellian warning that Big Brother is watching has evolved from a grim fantasy of totalitarianism into a banal fact of life. Read full review
Its story -- and eerie allure -- comes from our evolving perception of Jackie (Kate Dickie), a surveillance operator in Glasgow, Scotland, who spends long days and nights monitoring the screens. Read full review
As long as Arnold can avoid giving any reason for Dickie's strange behavior, Red Road remains creepy and hypnotic, but as soon as Arnold explains what's going on, the movie's structure collapses into the rubble of clich. Read full review
Sensual, dark in every sense, but a touch derivative, Red Road reps an impressive feature debut for Brit writer-helmer Andrea Arnold, an Oscar-winner for her knockout short "Wasp." Read full review
The movie trades the paranoia of modern omni-cam culture for a tighter, more personal drama, and while it sticks with you, you feel the missed opportunity like a phantom leg. Read full review
4.5
Dave White Profile
… cold and desolate … Read full review