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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Mamet regulars Ricky Jay and Joe Mantegna blend well with Mamet newbie Tim Allen, a treat as a spoiled-rotten aging Hollywood action star. Read full review
As the heart and soul of the film, Chiwetel Ejiofor once again impresses. Read full review
Ejiofor brings a calm magnetism and a beatific serenity to his roles that have the effect of knocking you flat -- there's something about this guy that's messianic. Read full review
A satisfying, unexpectedly involving B-movie that owes as much to old Hollywood as to Greek tragedy. Read full review
Entertaining in a pulpy kind of way, like the fight films of the 1930s and '40s, and more accessible than most of Mamet's movies. Read full review
Mamet is on his game, and that is a sight to see. No con. Read full review
It never really pulls itself together into the convincing, focused drama it promises, yet it kept me involved right up until the final scenes, which piled on developments almost recklessly. Read full review
It's certainly not Mamet's signature rapid-fire dialogue, but it's an intriguing and engrossing departure. Read full review
What is memorable is the film's portrait of a man of honor in a sleazy world, possibly a metaphor for the struggle of the artist to stay honorable in a world of backbiting, betrayal and hunger for easy money. Read full review
An absorbing and colorful, if not particularly convincing, excursion into a demi-monde of fighters, scammers, promoters and self-styled modern samurai, Redbelt gives the impression of Mamet coyly toying with the idea of making a populist little-man-against-the-system sports melodrama without actually attempting to create a film for the masses. Read full review